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  <title>Messages from the Ether</title>
  <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether/" />
  <modified>2010-03-09T04:59:08Z</modified>
  <tagline>discussions on the Fine Arts, current events, programming, and what-not</tagline>
  <id>tag:www.scottdstrader.com,2010:/blog/ether//1</id>
  <generator url="http://www.movabletype.org/" version="4.21-en">Movable Type</generator>
  <copyright>Copyright (c) 2010, sstrader</copyright>

  <entry>
    <title>Sparklehorse</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001770.html" />
    <modified>2010-03-09T04:59:08Z</modified>
    <issued>2010-03-08T19:39:30-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1770</id>
    <created>2010-03-09T00:39:30Z</created>
    <summary type="text/plain"> Heard this morning from Lisa about Linkous&apos;s suicide on Saturday. He was one of my favorite pop musicians. I&apos;d first heard of him back in 1995 when Album 88 was playing tracks off of Vivadixiesubmarinetransmissionhorse (Lisa and I were just starting to date at MicroHelp). Completely fell in love with the distorted pop quality. I don&apos;t latch on to pop music that often and finding his was such magic at the time. He was similar to Wilco, and yet Linkous used the studio to create a sound-world reminiscent of Pink Floyd&apos;s early, creative experiments and that had less of the alt-country, awshucks quality. A good example is his song &quot;Chaos of the Galaxy/Happy Man&quot; from his second album. The use of distortion throughout seemed to express a feeling of impotence regarding free will. In one sense, the radio distortion that drowns the song foils his attempts at expression; in another, it&apos;s his hand that controls the distortion and chooses to detune the radio station that is his voice. I still feel it is the pinnacle of his music making (see also Luke Lewis&apos;s praise of that song over at NME). We went to see him twice. First at the now-defunct Music Midtown back in &apos;95 or &apos;96 when he was in a wheelchair. Then, a year or two later, we saw him standing tall and rhinestone-cowboy-hatted at the also-now-defunct Echo Lounge. Packed house and beautifully performed. As with DFW, I hate seeing him go and hate that they both had such difficulties to force them to leave in such a manner....</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Music</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Heard this morning from Lisa about <a href="http://en.wikipedia.org/wiki/Mark_Linkous">Linkous</a>'s suicide on Saturday. He was one of my favorite pop musicians. I'd first heard of him back in 1995 when Album 88 was playing tracks off of Vivadixiesubmarinetransmissionhorse (Lisa and I were just starting to date at MicroHelp). Completely fell in love with the distorted pop quality.
</p>
<p>
I don't latch on to pop music that often and finding his was such magic at the time. He was similar to Wilco, and yet Linkous used the studio to create a sound-world reminiscent of Pink Floyd's early, creative experiments and that had less of the alt-country, awshucks quality. A good example is his song "Chaos of the Galaxy/Happy Man" from his second album. The use of distortion throughout seemed to express <a href="/blog/ether_archives/001195.html">a feeling of impotence</a> regarding free will. In one sense, the radio distortion that drowns the song foils his attempts at expression; in another, it's his hand that controls the distortion and chooses to detune the radio station that is his voice. I still feel it is the pinnacle of his music making (see also <a href="http://www.nme.com/blog/index.php?blog=10&p=8115&more=1&c=1&tb=1&pb=1">Luke Lewis's praise of that song over at NME</a>).
</p>
<p>
We went to see him twice. First at the now-defunct <a href="http://en.wikipedia.org/wiki/Music_Midtown">Music Midtown</a> back in '95 or '96 when he was in a wheelchair. Then, a year or two later, we saw him standing tall and rhinestone-cowboy-hatted at the also-now-defunct <a href="http://atlanta.creativeloafing.com/gyrobase/Content?oid=oid%3A18055">Echo Lounge</a>. Packed house and beautifully performed.
</p>
<p>
As with DFW, I hate seeing him go and hate that they both had such difficulties to force them to leave in such a manner.
</p>]]>
      
    </content>
  </entry>

  <entry>
    <title>Today&apos;s reading list</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001768.html" />
    <modified>2010-03-06T22:52:28Z</modified>
    <issued>2010-03-06T16:51:50-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1768</id>
    <created>2010-03-06T21:51:50Z</created>
    <summary type="text/plain"><![CDATA[ Found some videos by Paul Robertson a few weeks ago and created this playlist. It consists of Pirate Baby's Cabana Street Fight (a b&amp;w violence-fest), Kings of Power 4 Billion% (colorful, dimension-warping adventure), and Devil Eyes (lovely/sad, space friendship story): I'd first found his artwork from his uniquely NSFW Livejournal page left in a random Reddit comment. His animation style uses video game left-to-right traveling as the primary framework. Interesting. Pirate Baby and Kings will give you epileptic seizures if you're not careful. Devil Eyes is a completely different mood. Also from a Reddit comment, pictures from the Hyssop Lounge blog. Post are mostly YouTube videos, but several contain a wealth of great photos of musicians and stuff. See 2day pitures: 29 and 2day pictures: 30 for awesomeness. All, however, are frustratingly unlabeled....]]></summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Today&apos;s reading list</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Found some videos by Paul Robertson a few weeks ago and created this playlist. It consists of Pirate Baby's Cabana Street Fight (a b&amp;w violence-fest), Kings of Power 4 Billion% (colorful, dimension-warping adventure), and Devil Eyes (lovely/sad, space friendship story):
</p>
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<p>
I'd first found his artwork from <a href="http://probertson.livejournal.com/">his uniquely NSFW Livejournal page</a> left in a random Reddit comment. His animation style uses video game left-to-right traveling as the primary framework. Interesting. Pirate Baby and Kings will give you epileptic seizures if you're not careful. Devil Eyes is a completely different mood.
</p>
<p>
Also from a Reddit comment, pictures from the <a href="http://hyssopmoods.wordpress.com/">Hyssop Lounge</a> blog. Post are mostly YouTube videos, but several contain a wealth of great photos of musicians and stuff. See <a href="http://hyssopmoods.wordpress.com/2010/01/20/2day-pitures-29/">2day pitures: 29</a> and <a href="http://hyssopmoods.wordpress.com/2010/01/31/2day-pictures-30/">2day pictures: 30</a> for awesomeness. All, however, are frustratingly unlabeled.
</p>]]>
      
    </content>
  </entry>

  <entry>
    <title>New server</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001767.html" />
    <modified>2010-03-05T17:33:02Z</modified>
    <issued>2010-03-05T00:25:11-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1767</id>
    <created>2010-03-05T05:25:11Z</created>
    <summary type="text/plain"> New web server so pages and images are either (1) faster or (b) missing. Looks 90% set up, but I&apos;m sure there are some rights not locked down. Ping me if anything looks glaringly (or even slightly) awry....</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject><![CDATA[Home Network &amp; Gadgets]]></dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
<a href="/blog/ether_archives/001743.html">New web server</a> so pages and images are either (1) faster or (b) missing. Looks 90% set up, but I'm sure there are some rights not locked down. Ping me if anything looks glaringly (or even slightly) awry.
</p>]]>
      
    </content>
  </entry>

  <entry>
    <title>Albums, the loudness war</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001766.html" />
    <modified>2010-03-05T05:23:18Z</modified>
    <issued>2010-03-01T23:20:47-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1766</id>
    <created>2010-03-02T04:20:47Z</created>
    <summary type="text/plain"> On Saturday, we went to the Run For Cover art show at the Spruill Gallery just north of Perimeter Mall. Hundreds of classic album covers in their natural habitat: all cardboardy and filled with vinyl. Yes and Pink Floyd were well represented. Saw several classics in their original form: Their Satanic Majesties Request with the 3D cover, Physical Graffiti with the crazy windows, plus The Velvet Underground with their (non-peeling) banana cover. We loved the gallery space and will definitely be watching for more shows there. A year or so ago I found my copy of Meco&apos;s Star Wars and Other Galactic Funk album in my parents&apos; basement and swore I was going to have it framed. Hasn&apos;t been done yet, but now I think I&apos;m going to frame several others and we&apos;ll fill a wall with awesomeness. I have quite a few albums that were included in the show. I recently went looking for a print of Tales from Topographic Oceans and found a screenprint from the artist for $2,500. Framing my copy of the album will be considerably less expensive. In a small back room in the gallery, they also looped three videos related to album covers. One was a scene from Spinal Tap when the band got the first copies of their album Smell the Glove (It&apos;s like, how much more black could this be? and the answer is none. None more black.). Another with Pink Floyd discussing when Storm Thorgerson first presented his design for DSotM to them. The third was a short documentary on the owner of Record-Rama: at 3 million records, the largest single collection in the world. Though a nice enough guy, the owner brought up the debatable idea that analog vinyl sounds better than digital CDs because it preserves the high- and low-end frequencies. His comment brought fervent nods from an older couple watching with us (though I fear they weren&apos;t that much older...) who had never heard of the loudness war. I&apos;d learned about this from a now-un-find-able Slashdot thread back in July of last year. This video is the tl;dr version of the Wikipedia article:...</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Music</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
On Saturday, we went to the <a href="http://spruillgallery.blogspot.com/search/label/run%20for%20cover">Run For Cover</a> art show at the Spruill Gallery just north of Perimeter Mall. Hundreds of classic album covers in their natural habitat: all cardboardy and filled with vinyl. Yes and Pink Floyd were well represented. Saw several classics in their original form: <a href="http://en.wikipedia.org/wiki/Their_Satanic_Majesties_Request">Their Satanic Majesties Request</a> with the 3D cover, <a href="http://en.wikipedia.org/wiki/Physical_Graffiti">Physical Graffiti</a> with the crazy windows, plus <a href="http://en.wikipedia.org/wiki/The_Velvet_Underground_%26_Nico">The Velvet Underground</a> with their (non-peeling) banana cover. We loved the gallery space and will definitely be watching for more shows there.
</p>
<img alt="run-for-cover.front" src="/blog/resources/run-for-cover.front.png" />
<img alt="run-for-cover.back" src="/blog/resources/run-for-cover.back.png" />
<p>
A year or so ago <a href="/blog/ether_archives/001613.html">I found my copy of Meco's Star Wars and Other Galactic Funk album</a> in my parents' basement and swore I was going to have it framed. Hasn't been done yet, but now I think I'm going to frame several others and we'll fill a wall with awesomeness. I have quite a few albums that were included in the show. I recently went looking for a print of Tales from Topographic Oceans and found <a href="http://twitter.com/sstrader/status/7495093910">a screenprint from the artist for $2,500</a>. Framing my copy of the album will be considerably less expensive.
</p>
<p>
In a small back room in the gallery, they also looped three videos related to album covers. One was a scene from Spinal Tap when the band got the first copies of their album Smell the Glove (<a href="http://www.imdb.com/title/tt0088258/quotes?qt0261723"><q>It's like, how much more black could this be? and the answer is none. None more black.</q></a>). Another with Pink Floyd discussing when Storm Thorgerson first presented his design for DSotM to them. The third was a short documentary on the owner of <a href="http://en.wikipedia.org/wiki/Record-Rama">Record-Rama</a>: at 3 million records, the largest single collection in the world. Though a nice enough guy, the owner brought up the debatable idea that analog vinyl sounds better than digital CDs because it preserves the high- and low-end frequencies. His comment brought fervent nods from an older couple watching with us (though I fear they weren't that much older...) who had never heard of the <a href="http://en.wikipedia.org/wiki/Loudness_war">loudness war</a>. I'd learned about this from a now-un-find-able Slashdot thread back in <a href="http://twitter.com/sstrader/status/2933844757">July of last year</a>. This video is the tl;dr version of the Wikipedia article:
</p>
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    </content>
  </entry>

  <entry>
    <title>Where was I?</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001765.html" />
    <modified>2010-02-23T15:54:57Z</modified>
    <issued>2010-02-18T00:48:02-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1765</id>
    <created>2010-02-18T05:48:02Z</created>
    <summary type="text/plain"><![CDATA[ Mid-February, catch-up edition with (mostly) restaurants: Last night at Serpas for Fat Tuesday dinner. Cold cold cold out with a second line leading us to our table. The fried oysters are even better than when Scott Serpas was the chef at Mitra in Midtown. Sunday the 14th - Valentine's dinner at Anis in Buckhead. I'd been wanting to go back to Basil's across the street from Anis (we'd been once, probably 10?!? years ago), but we decided to try something new. Paid off. Anis is a cozy little French bistro with suprisingly good dishes. I had the Escolar and Lisa the steak. Saturday the 13th - house party at Jennifer and Snehal's. Beautiful house with rotating art collection (my plan for our place since we're just about maxed out on the art : wall ratio). Hundreds of candles leading up the walkway and driveway. Talks with old friends and new acquaintances (whose names I will never remember). Friday was the snowpocalypse in Atlanta!! Thursday was District 13: Ultimatum at Landmark [ 3/5 | IMDB | Rotten Tomatoes ]. Watched the first one last June on a whim and loved it. This was more light-hearted but just as much fun. Previous Saturday the 6th - Long day with Mickey at The High for da Vinci then lunch at Table 1280 (finally trying the menu there). Excellent. Evening was Bacchanalia Mickey+Mason+Danice. This was another place I hadn't been for prolly 10 years and it far surpassed my fond memories. Every. Single. Item. Was perfect. Flavor!! Friday was Elevation Chophouse OTP with all (Lisa and Mickey had lunch at Flip w/out me). Met M&amp;D's cute new puppy Dooley beforehand. Previous previous Sunday, January 31st - Lazy day (natch) with dinner at Baraonda. Saturday I picked up a top hat of sorts from the costume shop and that became my admittedly lame 20s outfit for Stacie's b-day party at the top floor of The Park Tavern at Midtown. Shenanigans and dancing till late. Friday the 29th was our 11th anniversary (observed) with a phenomenal performance of The Rite of Spring at the ASO. Vaughan Williams' Fantasia on a Theme by Thomas Tallis and Osvaldo Golijov's Suite from Youth Without Youth. Both beautiful pieces. First complete Golijov I've listened to and much more tonal than I expected (for some reason). Dinner afterwards at Oceanaire. Second time there and recommended....]]></summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Where was I?</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Mid-February, catch-up edition with (mostly) restaurants:
</p>
<ul>
<li>Last night at Serpas for Fat Tuesday dinner. Cold cold cold out with a <a href="http://en.wikipedia.org/wiki/Second_line_(parades)">second line</a> leading us to our table. The fried oysters are even better than when Scott Serpas was the chef at Mitra in Midtown.</li>
<li>Sunday the 14th - Valentine's dinner at Anis in Buckhead. I'd been wanting to go back to Basil's across the street from Anis (we'd been once, probably 10?!? years ago), but we decided to try something new. Paid off. Anis is a cozy little French bistro with suprisingly good dishes. I had the Escolar and Lisa the steak.</li>
<li>Saturday the 13th - house party at Jennifer and Snehal's. Beautiful house with rotating art collection (my plan for our place since we're just about maxed out on the art : wall ratio). Hundreds of candles leading up the walkway and driveway. Talks with old friends and new acquaintances (whose names I will never remember).</li>
<li>Friday was the snowpocalypse in Atlanta!!
<p>
<img alt="IMG00197-20100212-1631.small" src="/multimedia/photos/2010.02.misc/IMG00197-20100212-1631.small.jpg" />
<img alt="IMG00199-20100213-0919.small" src="/multimedia/photos/2010.02.misc/IMG00199-20100213-0919.small.jpg" />
</p>
</li>
<li>Thursday was District 13: Ultimatum at Landmark [ 3/5 | <a href="http://www.imdb.com/title/tt1247640/">IMDB</a> | <a href="http://www.rottentomatoes.com/m/district_13_ultimatum/">Rotten Tomatoes</a> ]. Watched <a href="/blog/ether_archives/001702.html">the first one</a> last June on a whim and loved it. This was more light-hearted but just as much fun.</li>
<li>Previous Saturday the 6th - Long day with Mickey at The High for da Vinci then lunch at Table 1280 (finally trying the menu there). Excellent. Evening was Bacchanalia Mickey+Mason+Danice. This was another place I hadn't been for prolly 10 years and it far surpassed my fond memories. Every. Single. Item. Was perfect. Flavor!!
<p>
<img alt="IMG00193-20100206-1035.small" src="/multimedia/photos/2010.02.misc/IMG00193-20100206-1035.small.jpg" />
</p>
<p>
<img alt="tickets.high.2010-02-06" src="/blog/resources/tickets.high.2010-02-06.png" />
</p>
</li>
<li>Friday was Elevation Chophouse OTP with all (Lisa and Mickey had lunch at Flip w/out me). Met M&amp;D's cute new puppy Dooley beforehand.</li>
<li>Previous previous Sunday, January 31st - Lazy day (natch) with dinner at Baraonda.</li>
<li>Saturday I picked up a top hat of sorts from the costume shop and that became my admittedly lame 20s outfit for Stacie's b-day party at the top floor of The Park Tavern at Midtown. Shenanigans and dancing till late.
<p>
<img alt="IMG00188-20100130-2227.small" src="/multimedia/photos/2010.01.misc/IMG00188-20100130-2227.small.jpg" />
<img alt="IMG00189-20100130-2259.small" src="/multimedia/photos/2010.01.misc/IMG00189-20100130-2259.small.jpg" />
</p>
</li>
<li>Friday the 29th was our 11th anniversary (observed) with a phenomenal performance of The Rite of Spring at the ASO. Vaughan Williams' <a href="http://en.wikipedia.org/wiki/Fantasia_on_a_Theme_by_Thomas_Tallis">Fantasia on a Theme by Thomas Tallis</a> and <a href="http://en.wikipedia.org/wiki/Osvaldo_Golijov">Osvaldo Golijov</a>'s Suite from Youth Without Youth. Both beautiful pieces. First complete Golijov I've listened to and much more tonal than I expected (for some reason). Dinner afterwards at Oceanaire. Second time there and recommended.
<p>
<img alt="tickets.aso.2010-01-29" src="/blog/resources/tickets.aso.2010-01-29.png" />
</p>
</li>
</ul>]]>
      
    </content>
  </entry>

  <entry>
    <title>The Windup Girl; Paolo Bacigalupi</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001764.html" />
    <modified>2010-02-16T04:56:09Z</modified>
    <issued>2010-02-15T13:09:50-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1764</id>
    <created>2010-02-15T18:09:50Z</created>
    <summary type="text/plain"> Heard about this via the io9 book club and so purchased the hardback of it and his short story collection Pump Six. TWG has been praised by Time Magazine as one of the top ten books of fiction for 2009 and by the American Library Association as the best SciFi of 2009. Halfway into the story thus far and it feels very of-a-time with Naomi Klein&apos;s and Michael Pollan&apos;s ideas, along with (in a more minor fashion) Fukuyama&apos;s somewhat older book Our Posthuman Future. Other links: Several related stories by the author available to read online from Night Shade Books&apos; web site The first nine chapters of The Windup Girl available to read online, along with the full ebook for purchase, available from WebScription Ebooks The Windup Girl tag from io9 Monthly book club tag from io9...</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Current Interests</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Heard about this via the <a href="http://io9.com/5457404/februrarys-io9-book-club-pick-paolo-bacigalupis-windup-girl/">io9 book club</a> and so purchased the hardback of it and his short story collection Pump Six. TWG has been praised by <a href="http://www.time.com/time/specials/packages/article/0,28804,1945379_1943868_1943887,00.html">Time Magazine</a> as one of the top ten books of fiction for 2009 and by the <a href="http://rusa.ala.org/blog/2010/01/17/2010readinglist/">American Library Association</a> as the best SciFi of 2009. Halfway into the story thus far and it feels very of-a-time with Naomi Klein's and Michael Pollan's ideas, along with (in a more minor fashion) Fukuyama's somewhat older book Our Posthuman Future.
</p>
<p>
Other links:
</p>
<ul>
<li><a href="http://www.nightshadebooks.com/cart.php?m=product_detail&p=145">Several related stories</a> by the author available to read online from Night Shade Books' web site</li>
<li><a href="http://www.webscription.net/p-1121-the-windup-girl.aspx">The first nine chapters</a> of The Windup Girl available to read online, along with the full ebook for purchase, available from WebScription Ebooks</li>
<li><a href="http://io9.com/tag/thewindupgirl/">The Windup Girl tag</a> from io9</li>
<li><a href="http://io9.com/tag/io9-book-club/">Monthly book club tag</a> from io9</li>
</ul>]]>
      <![CDATA[<a href="http://www.amazon.com/exec/obidos/ASIN/1597801577" target="_blank">
    <img class="book_cover" alt="The Windup Girl" src="http://images.amazon.com/images/P/1597801577.01.LZZZZZZZ.jpg"/>
</a><br/>
The Windup Girl;
<a href="/blog/mt/mt-search.cgi?search=Paolo Bacigalupi">
     Paolo Bacigalupi
</a><br/>
]]>
    </content>
  </entry>

  <entry>
    <title>Info wars 2010</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001763.html" />
    <modified>2010-03-06T22:59:23Z</modified>
    <issued>2010-02-13T11:50:50-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1763</id>
    <created>2010-02-13T16:50:50Z</created>
    <summary type="text/plain"><![CDATA[ Articles on or related to cyber attacks/security: How a Bookmaker and a Whiz Kid Took On a DDOS-based Online Extortion Attack by Scott Berinato from CSO Online, 1 May 2005; riveting tale of how Barrett Lyon got into cyber security Fighting Cybercrime, One Digital Thug At A Time from Fresh Air, 26 January 2010; interview with Lyon and author Joseph Menn, his new book is title Fatal System Error: The Hunt for the New Crime Lords Who Are Bringing Down the Internet Cyber Threats, Google and the NSA from On Point, 9 February 2010; discussing Operation Aurora (the attack on Google et al. by the Chinese government) and the NSA warrantless wiretapping (leaked by AT&amp;T tech Mark Klein when he found the splitters in Room 641A) Anarchy in the Everyday; The Late, Great Nation State by Barrett Brown from True/Slant, 10 February 2010; re Anonymous's raid on Australian government web sites after the government banned from porn--and I am not making this up--women with small breasts and women peeing. Their simple and honest declaration: The Australian Government will learn that one does not mess with our porn. I had read about Barrett Lyon a few years back when his CSO story was linked around on Slashdot etc. At the time--and this is five years ago--a big enough bot net could take anyone down. Lyon built one of the first (*the* first?) DDoS firewalls to protect gambling sites from, what turned out to be Russian, extortionists. The CSO article ends wryly, noting that companies now pay around $50,000 to protect themselves from having to pay protection. Insert joke here about virus scanners slowing down your machine so that viruses can't. The fact that Google can be attacked, and that they'd partner with the NSA, illustrates the gravity of the current threat. This time, it's not just thugs but government sanctioned thugs. I've read in Slashdot threads that Russia has the same tactics: leverage their hackers to disrupt Western corporations and governments. It's nice to know that the US doesn't stoop to such measures (insert joke that when *we* do it, it's not torture). Lyon's company started protecting Scientology sites after Anonymous started their Project Chanology raids in January 2008. Since Anonymous employs multi-honed attacks (DDoS, black faxes, picketing, information) a firewall offers only partial protection. And, as had been shown with the Marblecake hack, sites can be subverted without being taken down. The True/Slant article references a Neuromancer quote as prediction of the decentralized, directed mob that is Anonymous. They're doing what any activists do: bring attention to an injustice. Reading the inevitable panic-stricken comments denouncing Anonymous, it's interesting to note the difference between "activist" and "terrorist". The internet is at that awkward age of being both fragile and essential. Small groups like Anonymous are leveraging that fragility as much as are governments. Grab some popcorn; watch the show. [ updated 25 Feb 2010 ] US unable to win a cyber war [ via Slashdot ] reaffirmed that the US's extra-connectiveness increases its weaknesses. One proffered solution is to give the Pres access to the on/off switch of the internet (Reminding me of a two-panel cartoon I saw on the internet years back showing the difference between defending a cyber attack in the movies and IRL. The movie scene has the hero spewing 24-style techno-babel that barely makes sense in the fictional world. The real scene has the pimply tech grab the router and pull out the network cable. The Slashdot thread has an oddly compelling comment on what will happen when shit gets real. [ updated 6 Mar 2010 ] Slashdot posts a rebuttal and declares the concept meaningless....]]></summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject><![CDATA[Science &amp; Technology]]></dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Articles on or related to cyber attacks/security:
</p>
<ul>
<li><a href="http://www.csoonline.com/article/print/220336">How a Bookmaker and a Whiz Kid Took On a DDOS-based Online Extortion Attack</a> by Scott Berinato from CSO Online, 1 May 2005; riveting tale of how <a href="http://en.wikipedia.org/wiki/Barrett_Lyon">Barrett Lyon</a> got into cyber security</li>
<li><a href="http://www.npr.org/templates/story/story.php?storyId=122958695">Fighting Cybercrime, One Digital Thug At A Time</a> from Fresh Air, 26 January 2010; interview with Lyon and author Joseph Menn, his new book is title Fatal System Error: The Hunt for the New Crime Lords Who Are Bringing Down the Internet</li>
<li><a href="http://www.onpointradio.org/2010/02/cyber-threats-google-and-the-nsa">Cyber Threats, Google and the NSA</a> from On Point, 9 February 2010; discussing <a href="http://en.wikipedia.org/wiki/Operation_Aurora">Operation Aurora</a> (the attack on Google et al. by the Chinese government) and the <a href="http://en.wikipedia.org/wiki/NSA_warrantless_surveillance_controversy">NSA warrantless wiretapping</a> (leaked by <a href="http://en.wikipedia.org/wiki/Mark_Klein">AT&amp;T tech Mark Klein</a> when he found the splitters in <a href="http://en.wikipedia.org/wiki/Room_641A">Room 641A</a>)</li>
<li><a href="http://trueslant.com/barrettbrown/2010/02/10/anarchy-in-the-everyday-the-late-great-nation-state/">Anarchy in the Everyday; The Late, Great Nation State</a> by Barrett Brown from True/Slant, 10 February 2010; re Anonymous's raid on Australian government web sites after the government banned from porn--and I am not making this up--women with small breasts and women peeing. Their <a href="http://mediacaffeine.com/perspectives/government/1st-aussie-gov-site-falls-to-anonymous-operationtitstorm/">simple and honest declaration</a>: <q>The Australian Government will learn that one does not mess with our porn.</q></li>
</ul>
<p>
I had read about Barrett Lyon a few years back when his CSO story was linked around on Slashdot etc. At the time--and this is five years ago--a big enough bot net could take anyone down. Lyon built one of the first (*the* first?) DDoS firewalls to protect gambling sites from, what turned out to be Russian, extortionists. The CSO article ends wryly, noting that companies now pay around $50,000 to protect themselves from having to pay protection. Insert joke here about virus scanners slowing down your machine so that viruses can't.
</p>
<p>
The fact that Google can be attacked, and that they'd partner with the NSA, illustrates the gravity of the current threat. This time, it's not just thugs but government sanctioned thugs. I've read in Slashdot threads that Russia has the same tactics: leverage their hackers to disrupt Western corporations and governments. It's nice to know that the US doesn't stoop to such measures (insert joke that when *we* do it, it's not torture).
</p>
<p>
Lyon's company started protecting Scientology sites after Anonymous started their <a href="http://en.wikipedia.org/wiki/Project_Chanology">Project Chanology</a> raids <a href="/blog/ether_archives/001460.html">in January 2008</a>. Since Anonymous employs multi-honed attacks (DDoS, black faxes, picketing, information) a firewall offers only partial protection. And, as had been shown with <a href="/blog/ether_archives/001688.html">the Marblecake hack</a>, sites can be subverted without being taken down. The True/Slant article references a Neuromancer quote as prediction of the decentralized, directed mob that is Anonymous. They're doing what any activists do: bring attention to an injustice. Reading the inevitable panic-stricken comments denouncing Anonymous, it's interesting to note the difference between "activist" and "terrorist".
</p>
<p>
The internet is at that awkward age of being both fragile and essential. Small groups like Anonymous are leveraging that fragility as much as are governments. Grab some popcorn; watch the show.
</p>
<div class="update">
<p>
[ updated 25 Feb 2010 ]
</p>
<p>
<a href="http://www.net-security.org/secworld.php?id=8911">US unable to win a cyber war</a> [ via <a href="http://it.slashdot.org/story/10/02/24/157205/US-Unable-To-Win-a-Cyber-War">Slashdot</a> ] reaffirmed that the US's extra-connectiveness increases its weaknesses. One proffered solution is to give the Pres access to the on/off switch of the internet (Reminding me of a two-panel cartoon I saw on the internet years back showing the difference between defending a cyber attack in the movies and IRL. The movie scene has the hero spewing 24-style techno-babel that barely makes sense in the fictional world. The real scene has the pimply tech grab the router and pull out the network cable. The Slashdot thread has <a href="http://it.slashdot.org/comments.pl?sid=1561732&cid=31261842">an oddly compelling comment</a> on what will happen when <a href="http://somethingjustgotreal.com/">shit gets real</a>.
</p>
</div>
<div class="update">
<p>
[ updated 6 Mar 2010 ]
</p>
<p>
Slashdot posts <a href="http://yro.slashdot.org/story/10/03/05/1426216/There-Is-No-Cyberwar?art_pos=1">a rebuttal</a> and declares the concept meaningless.
</p>
</div>]]>
      
    </content>
  </entry>

  <entry>
    <title>Importing web email from a Sent folder into Thunderbird</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001762.html" />
    <modified>2010-02-11T17:14:56Z</modified>
    <issued>2010-02-11T11:28:28-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1762</id>
    <created>2010-02-11T16:28:28Z</created>
    <summary type="text/plain"> With my new home machine, I moved from Outlook and its 10+ year archive of email to Thunderbird. Emails and contacts were first imported to an install of Thunderbird on the old machine, then the files were copied to the Thunderbird install on the new machine. Articles in the Mozilla Wiki &quot;Profiles&quot; category were useful, but I forget which ones I used specifically. My primary email account has web access that I infrequently use to send from. It goes back around seven years, so even infrequent use multiplied over that much time equates to a considerable number of emails. For the sake of consolidation and control, I wanted to get them downloaded into a folder in Thunderbird. To the best of my knowledge, this is not possible without some hackery, and may not be possible at all with some accounts. My solution: First, in Thunderbird, I created an inbox filter to move messages (1) from the Inbox and (2) sent by me into a separate folder (created and called &quot;Sent from the web&quot;). Then, in my web-based email account, I went to the Sent folder and moved the contained messages to the web interface&apos;s inbox. 60 pages of messages at 20 messages per page is a lot more than I&apos;d anticipated. Protip: disable or filter notifications on your Blackberry so those hundreds of messages don&apos;t ¡ping! your phone to death....</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject><![CDATA[Home Network &amp; Gadgets]]></dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
With <a href="/blog/ether_archives/001743.html">my new home machine</a>, I moved from Outlook and its 10+ year archive of email to Thunderbird. Emails and contacts were first imported to an install of Thunderbird on the old machine, then the files were copied to the Thunderbird install on the new machine. Articles in the <a href="http://kb.mozillazine.org/Category:Profiles">Mozilla Wiki "Profiles" category</a> were useful, but I forget which ones I used specifically.
</p>
<p>
My primary email account has web access that I infrequently use to send from. It goes back around seven years, so even infrequent use multiplied over that much time equates to a considerable number of emails. For the sake of consolidation and control, I wanted to get them downloaded into a folder in Thunderbird. To the best of my knowledge, this is not possible without some hackery, and may not be possible at all with some accounts.
</p>
<p>
My solution:
</p>
<p>
First, in Thunderbird, I created an <a href="http://kb.mozillazine.org/Message_Filters">inbox filter</a> to move messages (1) from the Inbox and (2) sent by me into a separate folder (created and called "Sent from the web"). Then, in my web-based email account, I went to the Sent folder and moved the contained messages to the web interface's inbox. 60 pages of messages at 20 messages per page is a lot more than I'd anticipated. Protip: disable or filter notifications on <a href="/blog/ether_archives/001647.html">your Blackberry</a> so those hundreds of messages don't ¡ping! your phone to death.
</p>]]>
      
    </content>
  </entry>

  <entry>
    <title>The ending of Stanislaw Lem&apos;s Fiasco</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001761.html" />
    <modified>2010-02-10T05:08:07Z</modified>
    <issued>2010-02-09T23:52:05-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1761</id>
    <created>2010-02-10T04:52:05Z</created>
    <summary type="text/plain"> No spoilers, just some links to discussion pages on Fiasco: The talk page for the Wikipedia article on Fiasco - Some discussion points and links to related articles. the Fiasco section of the official Stanislaw Lem website. The thread Ending of &quot;Fiasco&quot; from the forums - What begins with a question dismissed mockingly moves into four pages of contributions over two years. Some interesting observations. There&apos;s a wealth of Lem criticism out there that I hadn&apos;t suspected existed....</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject><![CDATA[Language &amp; Literature]]></dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
No spoilers, just some links to discussion pages on <a href="/blog/ether_archives/001754.html">Fiasco</a>:
</p>
<ul>
<li>The <a href="http://en.wikipedia.org/wiki/Talk:Fiasco_(novel)">talk page</a> for the Wikipedia article on Fiasco - Some discussion points and links to related articles.</li>
<li>the <a href="http://english.lem.pl/works/novels/fiasco">Fiasco section</a> of the <a href="http://english.lem.pl/">official Stanislaw Lem website</a>.</li>
<li>The thread <a href="http://forum.lem.pl/index.php?topic=339.30">Ending of "Fiasco"</a> from the forums - What begins with a question dismissed mockingly moves into four pages of contributions over two years. Some interesting observations.</li>
</ul>
<p>
There's a wealth of Lem criticism out there that I hadn't suspected existed.
</p>
]]>
      
    </content>
  </entry>

  <entry>
    <title>Avatar</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001757.html" />
    <modified>2010-02-09T04:07:21Z</modified>
    <issued>2010-02-08T22:38:29-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1757</id>
    <created>2010-02-09T03:38:29Z</created>
    <summary type="text/plain"> Finally watched The Hurt Locker [ 4/5 | IMDB | Rotten Tomatoes ] a week or so ago and after seeing Avatar while we were in Vegas for Xmas. It&apos;s tough to compare the two films and no one would ever try if they hadn&apos;t been fated to go up against each other for awards--with Avatar winning the first round at the Golden Globes. Not having seen Hurt Locker at the time, I was angrier that the virtuosic Inglourious Basterds [ 5/5 | IMDB | Rotten Tomatoes ] lost to Avatar. What to say? With Avatar cf. The Hurt Locker, I was looking for any simple manifestation of masculine and feminine themes. What we first get is a reversal: with Mr. Cameron&apos;s Gaia-heavy world contrasting Ms. Bigelow&apos;s bomb-laden Iraq; and then a deeper alignment: Avatar is actually not a movie but a high-tech gadget fetishized by geeks and Hurt Locker an elegy to the debasement of the human spirit when confronted by an endless war. Yet ultimately it&apos;s simple-minded to play gender games with these flicks, as comparisons become forced when so simplified. I continue to be shocked at the celluloidoclasm that Avatar is wreaking on cinema history, and it continues to be difficult not to hate it for others&apos; overblown praise. The best comparison is to look at Avatar like the iPhone (or iPad) or Lady Gaga: the fanatics tend to create anti-fanatics, when all that&apos;s needed is simple criticism....</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Cinema</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Finally watched The Hurt Locker [ 4/5 | <a href="http://www.imdb.com/title/tt0887912/">IMDB</a> | <a href="http://www.rottentomatoes.com/m/hurt_locker/">Rotten Tomatoes</a> ] a week or so ago and after seeing <a href="/blog/ether_archives/001749.html">Avatar while we were in Vegas for Xmas</a>. It's tough to compare the two films and no one would ever try if they hadn't been fated to go up against each other for awards--with Avatar winning the first round at the Golden Globes. Not having seen Hurt Locker at the time, I was angrier that the virtuosic Inglourious Basterds [ 5/5 | <a href="http://www.imdb.com/title/tt0361748/">IMDB</a> | <a href="http://www.rottentomatoes.com/m/inglourious_basterds/">Rotten Tomatoes</a> ] lost to Avatar.
</p>
<p>
What to say? With Avatar cf. The Hurt Locker, I was looking for any simple manifestation of masculine and feminine themes. What we first get is a reversal: with Mr. Cameron's Gaia-heavy world contrasting Ms. Bigelow's bomb-laden Iraq; and then a deeper alignment: Avatar is actually not a movie but a high-tech gadget fetishized by geeks and Hurt Locker an elegy to the debasement of the human spirit when confronted by an endless war. Yet ultimately it's simple-minded to play gender games with these flicks, as comparisons become forced when so simplified.
</p>
<p>
I continue to be shocked at the celluloidoclasm that Avatar is wreaking on cinema history, and it continues to be difficult not to hate it for others' overblown praise. The best comparison is to look at Avatar like the iPhone (or <a href="/blog/ether_archives/001759.html">iPad</a>) or <a href="http://www.reddit.com/r/reddit.com/comments/al5ek/anyone_else_on_reddit_not_infatuated_with_lady/c0i6r8w">Lady Gaga</a>: the fanatics tend to create anti-fanatics, when all that's needed is simple criticism.
</p>]]>
      
    </content>
  </entry>

  <entry>
    <title>Today&apos;s reading list</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001760.html" />
    <modified>2010-02-09T13:14:18Z</modified>
    <issued>2010-02-08T20:23:12-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1760</id>
    <created>2010-02-09T01:23:12Z</created>
    <summary type="text/plain"> Rhys Paul Hovey rant about mind control: The Wikipedia entry for Hillary Rodham Clinton is on my watch list (from edits made years back) and this little 5k rollback on the talk page showed up today. A beautiful, schizophrenic rant that starts with: Hillary Clinton may be in danger over ANNE MARIE SLAUGHTER,. this is RELATED to Rhys Paul Hovey, and the high tech organized crime. Her name is MIND READER BAIT,. please see the RADIO CONTROLLED MEGA PIRATE story and FOREST HILL ELEMENTARY SCHOOL, district 18, and MR CASE. This involves &quot;mind control&quot; technology, which is computer controlled psychological abuse AI and wireless long range subvocal speech recognition (see charles jourgensen NASA), and satalite sound &quot;weapons&quot; which are also used for ADVERTISING (see joseph Pompeii and AUDIO SPOTLIGHT). Et cetera. The author may be the referenced Rhys Paul Hovey [ Google Sites | Blogspot ] who has another entry on Wikipedia for his as-yet-unrealeased, surrealist video game Synth. Similar rants found elsewhere in comments at Stay Free! Daily: I was a big Hillary Clinton fan at one time, until this fiasco started on me with the ultrasound weapons, being used on me, at my home. Not only do I have recordings for you to download at (Yahoo video) and youtube. But now people in my building are starting to talk about the &quot;advertising mind control computer&quot; that they can hear in the streets (Hastings street in Vancouver) they recognize that the actual sounds of the cars and such can be used as a carrier signal as well. Resemblance to Robby Todino&apos;s time travel obsession. Both evocative and unsettling. Michael Gordon concert at Woodruff Arts Center: Completely worn out (and will probably regret missing) or I&apos;d go. Postminimalist composer from Bang on a Can fame and of the group Kyle Gann often proselytizes on his PostClassic blog. Pieces I&apos;ll be missing (along with links to their MP3s on Amazon where available): Weather One Light Is Calling Tinge Idle I Buried Paul ac dc Profiling by Schneier from July 22, 2005: This is relevant to your interests. In the article, he argues that the wide net of ethnic profiling is so wide as to be useless in catching anyone, and so unwarranted as to be harmful w/r/t ethnic relations. Imagine noting that most terrorists are male and deciding to profile males, only to realize that you can only randomly search an insignificant percentage. Then imagine the resentment you&apos;ve instilled in the 99.999% of innocent males. You&apos;ve irritated a large chunk of citizens with arguably no increase in safety. Profiling is pattern recognition and is useful. Wasting time on imprecise patterns is not....</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Today&apos;s reading list</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Rhys Paul Hovey rant about mind control:
</p>
<p>
The Wikipedia entry for Hillary Rodham Clinton is on my watch list (from edits made years back) and <a href="http://en.wikipedia.org/w/index.php?title=Talk:Hillary_Rodham_Clinton&curid=101556&diff=342618492&oldid=342618435">this little 5k rollback on the talk page</a> showed up today. A beautiful, schizophrenic rant that starts with:
</p>
<blockquote>
Hillary Clinton may be in danger over ANNE MARIE SLAUGHTER,. this is RELATED to Rhys Paul Hovey, and the high tech organized crime. Her name is MIND READER BAIT,. please see the RADIO CONTROLLED MEGA PIRATE story and FOREST HILL ELEMENTARY SCHOOL, district 18, and MR CASE. This involves "mind control" technology, which is computer controlled psychological abuse AI and wireless long range subvocal speech recognition (see charles jourgensen NASA), and satalite sound "weapons" which are also used for ADVERTISING (see joseph Pompeii and AUDIO SPOTLIGHT).
</blockquote>
<p>
Et cetera.
</p>
<p>
The author may be the referenced Rhys Paul Hovey [ <a href="http://sites.google.com/site/rhyshovey/">Google Sites</a> | <a href="http://rhyspaulhovey.blogspot.com/">Blogspot</a> ] who has another entry on Wikipedia for his as-yet-unrealeased, surrealist video game <a href="http://en.wikipedia.org/wiki/Synth_(video_game)">Synth</a>. Similar rants found elsewhere in comments at <a href="http://blog.stayfreemagazine.org/2007/12/sound-ads-audio.html">Stay Free! Daily</a>:
</p>
<blockquote>
I was a big Hillary Clinton fan at one time, until this fiasco started on me with the ultrasound weapons, being used on me, at my home. Not only do I have recordings for you to download at (Yahoo video) and youtube. But now people in my building are starting to talk about the "advertising mind control computer" that they can hear in the streets (Hastings street in Vancouver) they recognize that the actual sounds of the cars and such can be used as a carrier signal as well.
</blockquote>
<p>
Resemblance to <a href="http://www.wired.com/culture/lifestyle/news/2003/08/60141">Robby Todino</a>'s time travel obsession. Both evocative and unsettling.
</p>
<p>
<a href="http://www.sonicgenerator.gatech.edu/upcoming_concerts/monday_february_8_2010.html
">Michael Gordon concert at Woodruff Arts Center</a>:
</p>
<p>
Completely worn out (and will probably regret missing) or I'd go. <a href="http://en.wikipedia.org/wiki/Postminimalism#Music">Postminimalist</a> composer from <a href="http://en.wikipedia.org/wiki/Bang_on_a_Can">Bang on a Can</a> fame and of the group Kyle Gann often proselytizes on  his <a href="http://www.artsjournal.com/postclassic/">PostClassic</a> blog. Pieces I'll be missing (along with links to their MP3s on Amazon where available):
</p>
<ul>
<li><a href="http://www.amazon.com/Weather-One/dp/B00122OJ3Y/">Weather One</a></li>
<li><a href="http://www.amazon.com/Light-Is-Calling/dp/B0018ALS9I/">Light Is Calling</a></li>
<li><a href="http://www.amazon.com/Tinge/dp/B0018ARDWY/">Tinge</a></li>
<li>Idle</li>
<li>I Buried Paul</li>
<li>ac dc</li>
</ul>
<p>
<a href="http://www.schneier.com/blog/archives/2005/07/profiling.html">Profiling</a> by Schneier from July 22, 2005:
</p>
<p>
This is relevant to your interests. In the article, he argues that the wide net of ethnic profiling is so wide as to be useless in catching anyone, and so unwarranted as to be harmful w/r/t ethnic relations. Imagine noting that most terrorists are male and deciding to profile males, only to realize that you can only randomly search an insignificant percentage. Then imagine the resentment you've instilled in the 99.999% of innocent males. You've irritated a large chunk of citizens with arguably no increase in safety. Profiling is pattern recognition and is useful. Wasting time on imprecise patterns is not.
</p>
]]>
      
    </content>
  </entry>

  <entry>
    <title>Control and the iPad</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001759.html" />
    <modified>2010-02-02T22:28:44Z</modified>
    <issued>2010-01-30T10:43:22-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1759</id>
    <created>2010-01-30T15:43:22Z</created>
    <summary type="text/plain"><![CDATA[ To paraphrase (myself): a boycott of the iPhone [is] the act of a responsible technology user. Annalee Newitz at io9, among many, many others [ Gizmodo | Mashable ] , has a long rant about the closed nature of the iPad in the article Why The iPad Is Crap Futurism. Newitz points out [t]he iPad has all the problems of television, with none of the benefits of computers. However, Newitz is not of the boycott ilk and instead suggests people... do something else? I know a lot of otherwise-savvy consumers and hackers who are already drooling over the iPad and putting in their orders. They hate the idea of a restricted device, but they love the shiny-shiny. I'm not saying that they should deprive themselves of this pretty new toy. What I am saying is that this toy represents a crappy, pathetic future. It is no more revolutionary than those expensive, hot boots I bought at Fluevog, and only slightly more useful. Mashable was more explicit: You won't be able to drag and drop or share files with other computers like you can with your laptop on your home network. You won't be able to download a program or music file from the web and play it on the spot. You won't be able to use any application that doesn't meet Apple's strict approval guidelines. And really, if consumers want a deficient-yet-wish-fulfilling device, tech pundits aren't going to stop them. Still, when someone asks you (oh, tech pundit) what specs they should look for in a new home computer or printer, what do you say? First of all, you steer them away from throwing their money away on inkjets. They may not listen and may only think of the $$$s they'll save buying a sleek looking HP DeskJet, but you would at least pass the knowledge along. As before, this necessary-yet-unheeded advice will be the same with the iPad, if a bit more philosophical. User control on the iPad, when included at all, is almost an afterthought. An appendix ready to be excised for it's absence of utility. Home computers gave us power through their mutability; Apple's new devices tell us we aren't responsible enough to install any applications we want. This may be the future of internet appliances, but it should not replace home computers. With netbooks now nearly as powerful as full-sized laptops and costing &lt; $300 (cf. a $500 iPad), it may be time to replace my humble 2-year-old first generation Asus Eee. [ updated 1 Feb 2010 ] The backlash backlash has begun with Gizmodo's article iPad Snivelers: Put Up or Shut Up. A poorly written rant against those who criticize the iPad saying, basically, that using other flawed hardware or software--along with failure to create your own hardware (no, I am not making this up)--bars you from complaining about the iPad's flaws. If this is the state of the art of Apple defenders, we critics should feel vindicated. The iPad is a platform that, if it dominated households, would have prevented the creation of the Firefox browser. How railing against such an environment can be called noxious ... childish ... defeatist is beyond me. [ updated 2 Feb 2010 ] Two more interesting takes (with further backlash backlash showing up in the comments). The iPad's Closed System: Sometimes I Hate Being Right at Popular Science questions the choice of iPhone OS over OSX, reemphasizing the gripes that Mashable had: [With OSX,] you can download and install any program you want. You can watch TV shows and movies from a variety or sources. You can purchase and listen to music however you prefer. Heck, you can poke around a file system. But you can't do any of this on the iPad. Google's Tablet versus Apple's iPad: Open versus Closed? at RWW goes further afield and examines how each is closed in different ways, offering a choice between the one that watches your activities everywhere on the web [Google] and the one that wants to control what the web even is [Apple]. However since Google's offering is not even an offering yet, much speculation is contained....]]></summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject><![CDATA[Home Network &amp; Gadgets]]></dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
To paraphrase (myself): <q><a href="/blog/ether_archives/001750.html">a boycott of the iPhone [is] the act of a responsible technology user.</a></q> Annalee Newitz at io9, among many, many others [ <a href="http://i.gizmodo.com/5458382/8-things-that-suck-about-the-ipad">Gizmodo</a> | <a href="http://mashable.com/2010/01/27/apple-ipad-downsides/">Mashable</a> ] , has a long rant about the closed nature of the iPad in the article <a href="http://io9.com/5458822/why-the-ipad-is-crap-futurism">Why The iPad Is Crap Futurism</a>. Newitz points out <q>[t]he iPad has all the problems of television, with none of the benefits of computers.</q> However, Newitz is not of the boycott ilk and instead suggests people... do something else?
</p>
<blockquote>
I know a lot of otherwise-savvy consumers and hackers who are already drooling over the iPad and putting in their orders. They hate the idea of a restricted device, but they love the shiny-shiny. I'm not saying that they should deprive themselves of this pretty new toy. What I am saying is that this toy represents a crappy, pathetic future. It is no more revolutionary than those expensive, hot boots I bought at Fluevog, and only slightly more useful.
</blockquote>
<p>
Mashable was more explicit:
</p>
<blockquote>
You won't be able to drag and drop or share files with other computers like you can with your laptop on your home network. You won't be able to download a program or music file from the web and play it on the spot. You won't be able to use any application that doesn't meet Apple's strict approval guidelines.
</blockquote>
<p>
And really, if consumers want a deficient-yet-wish-fulfilling device, tech pundits aren't going to stop them. Still, when someone asks you (oh, tech pundit) what specs they should look for in a new home computer or printer, what do you say? First of all, you <a href="http://ask.slashdot.org/article.pl?sid=09/12/03/211250">steer them away from throwing their money away on inkjets</a>. They may not listen and may only think of the $$$s they'll save buying a sleek looking HP DeskJet, but you would at least pass the knowledge along. <a href="http://apple.slashdot.org/article.pl?sid=01/10/23/1816257">As before</a>, this necessary-yet-unheeded advice will be the same with the iPad, if a bit more philosophical. User control on the iPad, when included at all, is almost an afterthought. An appendix ready to be excised for it's absence of utility. Home computers gave us power through their mutability; Apple's new devices tell us we aren't responsible enough to install any applications we want. This may be the future of <a href="http://en.wikipedia.org/wiki/Internet_appliance">internet appliances</a>, but it should not replace home computers.
</p>
<p>
With netbooks now nearly as powerful as full-sized laptops and costing &lt; $300 (cf. a $500 iPad), it may be time to replace my humble 2-year-old <a href="/blog/ether_archives/001477.html">first generation Asus Eee</a>.
</p>
<div class="update">
<p>
[ updated 1 Feb 2010 ]
</p>
<p>
The backlash backlash has begun with Gizmodo's article <a href="http://gizmodo.com/5461485/ipad-snivelers-put-up-or-shut-up">iPad Snivelers: Put Up or Shut Up</a>. A poorly written rant against those who criticize the iPad saying, basically, that using other flawed hardware or software--along with failure to create your own hardware (no, I am not making this up)--bars you from complaining about the iPad's flaws. If this is the state of the art of Apple defenders, we critics should feel vindicated. The iPad is a platform that, if it dominated households, would have prevented the creation of the Firefox browser. How railing against such an environment can be called <q>noxious ... childish ... defeatist</q> is beyond me.
</p>
</div>
<div class="update">
<p>
[ updated 2 Feb 2010 ]
</p>
<p>
Two more interesting takes (with further backlash backlash showing up in the comments). <a href="http://www.popsci.com/gadgets/article/2010-01/ipad's-closed-system-sometimes-i-hate-being-right">The iPad's Closed System: Sometimes I Hate Being Right</a> at Popular Science questions the choice of iPhone OS over OSX, reemphasizing the gripes that Mashable had: <q>[With OSX,] you can download and install any program you want. You can watch TV shows and movies from a variety or sources. You can purchase and listen to music however you prefer. Heck, you can poke around a file system. But you can't do any of this on the iPad.</q> <a href="http://www.readwriteweb.com/archives/googles_tablet_versus_apples_ipad.php">Google's Tablet versus Apple's iPad: Open versus Closed?</a> at RWW goes further afield and examines how each is closed in different ways, offering a choice between <q>the one that watches your activities everywhere on the web [Google] and the one that wants to control what the web even is [Apple].</q> However since Google's offering is not even an offering yet, much speculation is contained.
</p>
</div>]]>
      
    </content>
  </entry>

  <entry>
    <title>Playing around with Google Maps when I should be jogging</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001758.html" />
    <modified>2010-01-29T05:21:25Z</modified>
    <issued>2010-01-28T16:33:48-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1758</id>
    <created>2010-01-28T21:33:48Z</created>
    <summary type="text/plain"> I really need to start jogging again. My standard 4.5-mile route:...</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Personal</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
I really need to start jogging again. My standard 4.5-mile route:
</p>
<iframe width="300" height="600" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="http://www.google.com/maps/ms?ie=UTF8&amp;msa=0&amp;msid=114724565622108008746.00046b4aa27d8f3843a27&amp;ll=33.778927,-84.384956&amp;spn=0.024968,0.025663&amp;z=14&amp;output=embed"></iframe>]]>
      
    </content>
  </entry>

  <entry>
    <title>Xmas in Vegas</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001749.html" />
    <modified>2010-01-22T16:02:54Z</modified>
    <issued>2010-01-17T11:40:23-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1749</id>
    <created>2010-01-17T16:40:23Z</created>
    <summary type="text/plain"><![CDATA[ Lisa &amp; I spent Xmas in Vegas from December 23rd to 27th. I should have documented the fun sooner. Late flight Wednesday and check in at The Venetian with a late dinner at the Grand Lux Cafe where we got to scope out the gambling crowd. Great deal on the hotel made the four night stay cost about the same as the flight. Thursday we rented a car and headed to Red Rock Canyon for hiking. All cars were taken except for a 15-person van, a Corvette, and a Nissan 350Z. Rental for the day cost about the same as the flight (slight exaggeration) so we decided on the 350Z. Sweet ride. RRC was around 18 miles outside of Las Vegas. Driving out of town was odd because there's no transition from city-to-non-city, but rather just an abrupt end to all buildings and you're immediately in the dessert. Once at the park, we took the scenic drive that looped through the region and stopped at several trails. There were many other visitors, but It wasn't too crowded. What I noticed most about the rock cliffs was that the viewer lost any sense of scale because of the vast patterns on the sandstone. What looked only 10s of meters away dropped much further in the distance as soon as we saw the dots of rock climbers. Brave, brave, rock climbers. Or, as soon as we saw the tiny dots of our shadow on the rocks below: Here we are frolicking: After the hike, we drove back into town and down to a casino in south Vegas to watch Avatar in 3D IMAX [ 3/5 | IMDB | Rotten Tomatoes ]. If you're planning on seeing this, definitely go the 3D route. It really is a beautiful film even if most of the characters, with the exception of the male lead, are lazily written, and the themes are a bit obvious. Flaws aside, it was definitely a cinema experience. I remember, however, that after the expansive beauty of Red Rock Canyon, I wasn't as wowed as many reviewers or at all "let down" by the bleakness of the real world in comparison. Although I can imagine how someone living in Detroit might feel otherwise. Evening was dinner at Alize at the Top of the Palms. Beautiful view and a perfect meal. Friday started with brunch at Payard Bistro at Caesar's Palace. Lisa had plans to go to the buffet at the Bellagio, but the line in was at least 100-people long (I don't think I'm exaggerating) and it looked rather kid-infested. Blech. Plan B a nice restaurant at Bellagio, but that would have been a 2 hour wait so I searched via Google Maps on my phone and found Payard's. Highly recommended! Small, very French, and the perfect quiet choice for Xmas brunch. The bulk of the day was various shenanigans walking up and down the strip with what seemed like the entirety of the population of China, visiting the art gallery at the Bellagio, and taking the monorail to the new Las Vegas CityCenter. Along with Asians, the strip was filled with cast-off trading-card-sized leaflets of naked women on them. They stayed in Vegas. Dinner was at Enoteca San Marco back home at The Venetian. The restaurant was in the winding, two-story, indoor mall that had a faux-sky ceiling (see below) so I was expecting only average food but it was very good. They had an octopus, celery, and potato salad (weird, I know) that was outstanding. Saturday we started with brunch at Bouchon in The Venetian. It was another French locale and an excellent meal. After, we were again in need of a rental car to get to Hoover Dam (having missed out on a group tour). The hotel Hertz Lady had, again, those same three cars and nothing else so we went online and rented one from a place at the airport. Taxi + rental fee (for a more humble Nissan Versa) was still less than what the 350Z would have cost. It was a gray day going to see a megalithic, gray structure but still impressive. We wandered a little in the museum. Most interesting construction fact: they had to dig four tunnels through the canyon in order to divert the river while the dam was being constructed. Work on the tunnels took as much effort as constructing the dam itself! Return and dress up for an evening show of Zumanity at New York New York. It was a burlesque version of a Cirque du Soleil show with a 50s-style couple hosting and, along with twin corpulent stippers, playfully pestering members of the audience. There wasn't a bad seat in the theater, but we were sooo happy we weren't up front! Dinner after at Serrano in ARIA at CityCenter for Spanish tapas. We also met our waiter from Payard and Lisa discovered her New Favorite Drink: a Spanish dessert wine called Don PX Pedro Ximenez. Short day Sunday wandering around one last time looking for gifts for the nieces but we couldn't agree on items that were both Las Vegassy and non-cheesey so ended up with nothing. Rats. Lazy flight home and another week of relaxing!...]]></summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Where was I?</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Lisa &amp; I spent <a href="http://www.tripit.com/trip/public/id/9DF707ED086B">Xmas in Vegas</a> from December 23rd to 27th. I should have documented the fun sooner.
<p>
Late flight Wednesday and check in at <a href="http://www.venetian.com/">The Venetian</a> with a late dinner at the <a href="http://www.venetian.com/Pages.aspx?id=918">Grand Lux Cafe</a> where we got to scope out the gambling crowd. Great deal on the hotel made the four night stay cost about the same as the flight.
</p>
<img alt="hotel" src="/multimedia/photos/2009.12.las-vegas/IMG00108-20091223-2206.jpg" />
<p>
Thursday we rented a car and headed to <a href="http://en.wikipedia.org/wiki/Red_Rock_Canyon_National_Conservation_Area">Red Rock Canyon</a> for hiking. All cars were taken except for a 15-person van, a Corvette, and a Nissan 350Z. Rental for the day cost about the same as the flight (slight exaggeration) so we decided on the 350Z. Sweet ride. RRC was around 18 miles outside of Las Vegas. Driving out of town was odd because there's no transition from city-to-non-city, but rather just an abrupt end to all buildings and you're immediately in the dessert. Once at the park, we took the scenic drive that looped through the region and stopped at several trails. There were many other visitors, but It wasn't too crowded. What I noticed most about the rock cliffs was that the viewer lost any sense of scale because of the vast patterns on the sandstone. What looked only 10s of meters away dropped much further in the distance as soon as we saw the dots of rock climbers. Brave, brave, rock climbers. Or, as soon as we saw the tiny dots of our shadow on the rocks below:
</p>
<p>
<img alt="rock shadow" src="/multimedia/photos/2009.12.las-vegas/IMG00115-20091224-1210.small.jpg" />
<img alt="rock shadow" src="/multimedia/photos/2009.12.las-vegas/IMG00122-20091224-1229.small.jpg" />
</p>
<p>
Here we are frolicking:
</p>
<p>
<img alt="her" src="/multimedia/photos/2009.12.las-vegas/IMG00116-20091224-1211.small.jpg" />
<img alt="me" src="/multimedia/photos/2009.12.las-vegas/IMG00133-20091224-1322.small.jpg" />
</p>
<p>
After the hike, we drove back into town and down to a casino in south Vegas to watch Avatar in 3D IMAX [ 3/5 | <a href="http://www.imdb.com/title/tt0499549/">IMDB</a> | <a href="http://www.rottentomatoes.com/m/avatar/">Rotten Tomatoes</a> ]. If you're planning on seeing this, definitely go the 3D route. It really is a beautiful film even if most of the characters, with the exception of the male lead, are lazily written, and the themes are a bit obvious. Flaws aside, it was definitely a cinema experience. I remember, however, that after the expansive beauty of Red Rock Canyon, I wasn't as wowed as many reviewers or at all "let down" by the bleakness of the real world in comparison. Although I can imagine how someone living in Detroit might feel otherwise.
</p>
<p>
<img alt="movie.avatar" src="/blog/resources/movie.avatar.png" />
</p>
<p>
Evening was dinner at <a href="http://www.andrelv.com/alize/">Alize</a> at the Top of the Palms. Beautiful view and a perfect meal.
</p>
<p>
Friday started with brunch at <a href="https://www.caesarspalace.com/casinos/caesars-palace/restaurants-dining/payard-patisserie-detail.html">Payard Bistro</a> at Caesar's Palace. Lisa had plans to go to the buffet at the Bellagio, but the line in was at least 100-people long (I don't think I'm exaggerating) and it looked rather kid-infested. Blech. Plan B a nice restaurant at Bellagio, but that would have been a 2 hour wait so I searched via Google Maps on <a href="/blog/ether_archives/001647.html">my phone</a> and found Payard's. Highly recommended! Small, very French, and the perfect quiet choice for Xmas brunch.
</p>
<p>
<img alt="tickets.bellagio-art" src="/blog/resources/tickets.bellagio-art.png" />
</p>
<p>
The bulk of the day was various shenanigans walking up and down the strip with what seemed like the entirety of the population of China, visiting the art gallery at the Bellagio, and taking the monorail to the new <a href="http://en.wikipedia.org/wiki/CityCenter">Las Vegas CityCenter</a>. Along with Asians, the strip was filled with cast-off trading-card-sized leaflets of naked women on them. They stayed in Vegas. Dinner was at <a href="http://www.enotecasanmarco.com/">Enoteca San Marco</a> back home at The Venetian. The restaurant was in the winding, two-story, indoor mall that had a faux-sky ceiling (see below) so I was expecting only average food but it was very good. They had an octopus, celery, and potato salad (weird, I <em>know</em>) that was outstanding.
</p>
<p>
<img alt="boobs" src="/multimedia/photos/2009.12.las-vegas/IMG00180-20091226-2125.jpg" />
<img alt="sky ceiling" src="/multimedia/photos/2009.12.las-vegas/IMG00154-20091225-2110.small.jpg" />
</p>
<p>
Saturday we started with brunch at <a href="http://www.bouchonbistro.com/">Bouchon</a> in The Venetian. It was another French locale and an excellent meal. After, we were again in need of a rental car to get to <a href="http://en.wikipedia.org/wiki/Hoover_Dam">Hoover Dam</a> (having missed out on a group tour). The hotel Hertz Lady had, again, those same three cars and nothing else so we went online and rented one from a place at the airport. Taxi + rental fee (for a more humble Nissan Versa) was still less than what the 350Z would have cost.
</p>
<p>
<img alt="tickets.hoover-dam" src="/blog/resources/tickets.hoover-dam.png" />
</p>
<p>
It was a gray day going to see a megalithic, gray structure but still impressive. We wandered a little in the museum. Most interesting construction fact: they had to dig <a href="http://en.wikipedia.org/wiki/Hoover_Dam#River_diversion">four tunnels</a> through the canyon in order to divert the river while the dam was being constructed. Work on the tunnels took as much effort as constructing the dam itself!
</p>
<p>
<img alt="danger" src="/multimedia/photos/2009.12.las-vegas/IMG00156-20091226-1513.small.jpg" />
<img alt="dam" src="/multimedia/photos/2009.12.las-vegas/IMG00176-20091226-1538.small.jpg" />
</p>
<p>
Return and dress up for an evening show of Zumanity at New York New York. It was a burlesque version of a Cirque du Soleil show with a 50s-style couple hosting and, along with twin corpulent stippers, playfully pestering members of the audience. There wasn't a bad seat in the theater, but we were sooo happy we weren't up front! Dinner after at Serrano in ARIA at CityCenter for Spanish tapas. We also met our waiter from Payard and Lisa discovered her New Favorite Drink: a Spanish dessert wine called Don PX Pedro Ximenez.
</p>
<p>
<img alt="tickets.zumanity" src="/blog/resources/tickets.zumanity.png" />
</p>
<p>
Short day Sunday wandering around one last time looking for gifts for the nieces but we couldn't agree on items that were both Las Vegassy and non-cheesey so ended up with nothing. Rats. Lazy flight home and another week of relaxing!
</p>]]>
      <![CDATA[<p>
The map from our Red Rock Canyon visitor guide newspaper:
</p>
<p>
<img alt="las.rrc-map" src="/blog/resources/las.rrc-map.png" />
</p>
<p>
The <a href="http://en.wikipedia.org/wiki/Chuckwalla">chuckwalla</a> we were promised but did not get to see:
</p>
<p>
<img alt="las.chuckwalla" src="/blog/resources/las.chuckwalla.png" />
</p>
]]>
    </content>
  </entry>

  <entry>
    <title>Currently listening to</title>
    <link rel="alternate" type="text/html" href="http://www.scottdstrader.com/blog/ether_archives/001755.html" />
    <modified>2010-01-14T17:29:56Z</modified>
    <issued>2010-01-14T12:11:08-05:00</issued>
    <id>tag:www.scottdstrader.com,2010:/blog/ether//1.1755</id>
    <created>2010-01-14T17:11:08Z</created>
    <summary type="text/plain"> Almost a year ago, I got the itch to hear some orchestral song cycles and backburnered the task to find some recordings. It took this long. These are my first MP3 purchases from Amazon. The Mahler recording has a lot of distortion (at least, it does on my crappy PC speakers that otherwise sound &quot;good enough&quot;). The Canteloube and Glazunov don&apos;t have this problem. The Glazunov symphonies I picked up for free after Amazon gave me a $5 credit. Worth it even not-for-free....</summary>
    <author>
      <name>sstrader</name>
      
      <email>sstrader@mindspring.com</email>
    </author>
    <dc:subject>Current Interests</dc:subject>
    <content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scottdstrader.com/blog/ether/">
      <![CDATA[<p>
Almost a year ago, <a href="/blog/ether_archives/001675.html">I got the itch to hear some orchestral song cycles</a> and backburnered the task to find some recordings. It took this long. These are my first MP3 purchases from Amazon. The Mahler recording has a lot of distortion (at least, it does on my crappy PC speakers that otherwise sound "good enough"). The Canteloube and Glazunov don't have this problem. The Glazunov symphonies I picked up for free after Amazon gave me a $5 credit. Worth it even not-for-free.
</p>]]>
      <![CDATA[<p>
<img class="cd_cover" alt="Chants d'Auvergne" src="http://ecx.images-amazon.com/images/I/51aTAAjSeLL._SL500_AA280_.jpg"/><br/>Chants d'Auvergne; <a href="http://www.scottdstrader.com/blog/mt/mt-search.cgi?IncludeBlogs=1&amp;search=Joseph Canteloube">Joseph Canteloube</a> [ <a href="http://www.scottdstrader.com:8000/listen.pls">Radio from the Ether</a> ]
</p>
<p>
<img class="cd_cover" alt="The Complete Symphony Collection" src="http://ecx.images-amazon.com/images/I/51MOiurimTL._SL500_AA280_.jpg"/><br/>The Complete Symphony Collection; <a href="http://www.scottdstrader.com/blog/mt/mt-search.cgi?IncludeBlogs=1&amp;search=Alexander Glazunov">Alexander Glazunov</a> [ <a href="http://www.scottdstrader.com:8000/listen.pls">Radio from the Ether</a> ]
</p>
<p>
<img class="cd_cover" alt="Das Lied Von der Erde" src="http://ecx.images-amazon.com/images/I/51lCpOpIiTL._SL500_AA280_.jpg"/><br/>Das Lied Von der Erde; <a href="http://www.scottdstrader.com/blog/mt/mt-search.cgi?IncludeBlogs=1&amp;search=Gustav Mahler">Gustav Mahler</a> [ <a href="http://www.scottdstrader.com:8000/listen.pls">Radio from the Ether</a> ]
</p>
]]>
    </content>
  </entry>

</feed>