I've recently been warming up before practice with the diminished scales [Wikipedia] and the chromatic scale. I'm quite the idiot for having never practiced diminished scales before. The Kansas piece "The Spider" hints at diminished scales in several phrases, and the rondo from the Beethoven Piano Sonata No. 7 ends with the chromatic scale in the right hand. A thread in rec.music.makers.piano provides the fingering for diminished scales in the right hand. I'll append to those and add the fingering for the left hand along with some cues for practicing them.
There are three distinct diminished scales; each is built up of alternating whole tones and half tones (major and minor seconds). There is no root or tonic to these scales so where on the keyboard you begin each is arbitrary. For convenience, I begin each on a whole tone interval and use the starting notes C, Db, and D, respectively. For fingering, I adhere to the rule of pairing thumbs (which I remember vaguely from my college teacher). I also practice each in triplets to provide a three octave range and to switch up strong beats in each octave.
The fingering for all three scales is in groups of 3+3+2. Alternate fingerings are:
Here are some visual cues that helped me get comfortable with the scales:
The JPG image below is also available as a more printable TIFF and as sheet music.
I've practiced these scales with different fingerings.
For "C diminished" and "D diminished" I just keep my thumbs on "F" and "B." ( ex."C diminished" would be 'LH:432143214' and 'RH:234123412')
"Db Diminished" I have my RH thumb on "C", "E", and "G". and LH thumb on "C", "E," and "A".
Posted by: James at March 30, 2008 10:02 PMNice alternatives, I'll try those out. Thanks for the input.
Posted by: sstrader at March 31, 2008 11:09 PM