July 5, 2013

Ghost in the Shell: Arise

[ updated 17 Aug 2013 ]

Got the Japanese release of the first movie from YESASIA. The music fits perfectly. Good story and good start to the set. Can't wait for the rest. Preordered #2 due out December 25th.

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Origin story being released as four 50 minute OVAs this year and next. Different look than the movies but similar to the TV series. Awesome.

posted by sstrader at 4:06 PM in Cinema | permalink | comments (0)

June 10, 2008

Ghost in the Shell 2: Innocence (4/5)

[ IMDB | Rotten Tomatoes ]

Late in the movie our two protagonists, partners Batou and Togusa from an elite security force, case the inventively decorated mansion of a criminal hacker who's the main suspect for a recent stream of homicidal androids. As they walk down a hallway bordered on one side by tall, stained-glass windows, human silhouettes within the windows cast shadows against the opposite wall. The shadowed hands reach for doorknobs or various objects on shelves. This short scene is iconic for much of the movie's intent: intentionality can easily be simulated, and observers can be tricked into perceiving nonexistent consciousness.

innocence.cover

Along with somewhat slow philosophical discussions, Innocence contains vibrant scenes of violence, moments of dramatic tension, and elaborately rendered tableaux that stand as unique expressions in cinematic art. Within the framework of police procedural, we're immersed in examples of how human society has detached from nature by replicating a false environment. The movie examines the extent to which we will be able to extend such an environment in the future. Similarly, rituals and ceremonies are depicted as reimaginings of that ideal we are attempting to attain.

The mix of action and contemplation, more believable and more subtle than from The Matrix, is well-balanced, and as with the first GitS the cinematography is outstanding.

posted by sstrader at 11:10 PM in Cinema | permalink | comments (0)

May 26, 2008

Two graphic novels

Finished reading the Ghost in the Shell GN and Palestine by Joe Sacco.

Ghost in the Shell

Palestine

GitS was well-drawn if a bit dense at times. In contrast to the spare clarity of the Star Wars Manga (unfairly compared with Chaykin's Marvel version), GitS's pages are crowded with imagery, image styles, and meta-textual references. Although arguably appropriate for seminal cyberpunk, when paired with the alienating foreigness of face faults it feels uneven. It may require a re-read. I was also swimming in an effort to discern what parts made it to the movie, what made it to Stand Alone Complex, and what made it to 2nd GIG. That was an unnecessary exercise on my part, and only added to the chaos since references had no thematic or temporal organization.

Palestine had a similar flaw with frequent "meta" comments from the author examining his impulse to examine the Palestinian's occupation. Although the stories were fascinating, his over-examination of self was nothing more that increased self-absorbtion. Still, it's shocking to see what those people go through and are put through. The capacity for man to inflict suffering on his fellow man, etc. Palestine looks like, I'm sorry, a German prison camp.

posted by sstrader at 11:10 AM in Language & Literature | permalink | comments (0)

April 16, 2008

GitS. Prepare to die.

Live-action Ghost in the Shell. From Dreamworks. In 3-D. Gah. Expect Hanna Montana as Kusanagi and The Rock as Batou with the Tachikomas sounding even more kawaii than they do in the TV series.

A more reasoned analysis over at io9. Best comment from the thread: Will he replace all the guns with walkie-talkies?
posted by sstrader at 8:59 AM in Cinema | permalink | comments (0)

November 1, 2007

Anime

A little while back I started getting on an anime kick thanks to Robert introducing me to Ghost in the Shell when we went to see Ghost in the Shell 2: Innocence in the theater. Then, I watched the first film on Netflix streaming and thoroughly enjoyed it. Netflix also has the first season of the TV series Stand Alone Complex. I soon purchased the first movie, the first season, and the second season. Photos of the wacky tchotchki that came with each DVD will be posted as soon as I get the final volume. Right now 3 tachikomas are guarding my desk at work. Word is that the DVD of the second movie is crap, so I'm holding off on that.

The next step is, of course, to find other anime that I like. I'm warming up to Cowboy Bebop on TiVo. Clips I've seen from the movie look awesome. I also watched Mezzo DSA on Netflix streaming. Cute/sexy teen chick fighting bad guys with goofy dialog in between. The overall mood of the series is a more hip Scooby Doo but with about the same level of maturity. I was shocked to find out that the source movie, Mezzo Forte, is said to be quite more mature. Extreme violence and hardcore sex. Fight scenes look good in the trailer. So, naturally, I purchased it and the director's other ultra-violent anime flick Kite. Should be interesting. These were probably some of the source material Tarantino was referencing in Kill Bill. The rest of the anime on Netflix streaming looks weak, or rather, it looks like what you think anime would look like. Absurd/cute/mecha.

posted by sstrader at 5:15 PM in Cinema | permalink | comments (0)

September 26, 2007

June 28, 2007

Ghost in the Shell (4/5)

I have a lot of notes that I don't think I can/want-to structure. Here they are:

  • References the cult sci-fi movie Dark Star where the agent is in a claustrophobic, shotgun control center. This looks exactly IIRC like the control center on the space ship in Dark Star. References Bergman's Persona when the puppet master and the female lead (names?) were on the floor talking near the end. The final scene where TFL wakes up references 2001's bedroom scene in The Infinite and Beyond. I may be stretching a bit on that one.
  • Interesting comment with the human as eternal rookie to the cyborg cop. It keeps the cliched cop movie trope, but re-purposes it in an AI world.
  • Obvious symbolism: birth when TFL was diving (although emotional and effective), the evolutionary tree being shot up (we're on the threshold of a new etc.). Rich overall in its symbolism though. High signal to noise.
  • Voice work was monochromatic, may be translation issues. They, all, talked, like, they, had, commas, in, between, their, thoughts.
  • Directing was in the same class as the best directors in cinema history. Just because it was animated doesn't change that.
  • The freeze frame (only the character's mouth moves) during heavy dialog does not help you focus on the importance of the dialog. In theory it should, but in practice it only illuminates lazy animation.
  • Oh MAN, in many of the city shots without narration or dialog this was so very Tarkovsky. Beautiful stuff.
  • The emphasis on water and glass reflections was subtle symbolism to mind/body/consciousness issues even though it sounds trite in the telling.
  • Much more heart than the cheap wire-fu-retread of The Matrix.
  • Even though it's an animated future, their clothes look too Miami Vice. Sorry, they just do.
  • The layered plot within a genre narrative was much like good film noir: it rises above its basic genre vocabulary. Great noir breaks the bounds of its language while still using its language. That's what GitS did.
  • More symbolism: the puppet master and TFL looking up at the shattered skylight when they were crippled (and child-like?) saw a birth canal in the elongated lozenge of light.
  • I do recommend this to non-anime people (which I am). I saw the second film with Kabao when it came out in the theaters and loved its heady dialog and exhaustive animation. I was just as happy with the origin story.

    posted by sstrader at 8:44 PM in Cinema | permalink | comments (0)