Suicide bomber slapstick. The bumbling stupidity--and its crude implication that criminals are dumb--is redeemed by the deeper characterizations given the two brothers in the group. The lead's relationship with his wife and son is moving and absurd. Wonderful final scenes.
Documentary about experimental films from the 70s and 80s NYC, specifically the No Wave and Cinema of Transgression movements. This is a must-see for any cinephies, especially those who love avant garde art. Notable: The Blank Generation, The Foreigner, Vortex, Minus Zero, Permanent Vacation, Wild Style. My initial search for these films on DVD brought up nothing. Links of interest:
I thought I'd purchased tickets for the simulcast of the Met's Die Walkure at Fork and Spoon. I had not. Plan B was Bridesmaids. This really is the tour de force of Kristen Wiig that everyone is saying it is. At times more disgusting than any guy flick, yet Kristen's scenes with her love interest, her best friend/bride, and her mother were amazing examples of comedy dialog.
Last month was many interviews and finally a new job at AutoTrader.com. Last week was my first week of new employment. w00t! No, I can't get you a discount on a new or used car.
Also last month, we began getting our new windows at home. These had been planned for months/years and our unit finally hit the schedule. We were supposed to be the first batch and ended up being the last. Not only that but also: they only replaced half the windows and don't have the other half schedule for another month or so (first "two weeks!" then "it may be three weeks" then "we haven't scheduled that far out..."). *cough* *assholes* *cough*.
Concerts were the Met simulcast of Nixon in China at Buckhead Fork and Screen (saw Rheingold there back in November, Walkuere is next). Peter Sellars was the director and it was fun to see him interviewed during intermission. Nixon's visit was in 1972; the opera premiered in 1987. Friday the 18th was Liszt's Piano Concerto #1 and Beethoven's Symphony #7 at the ASO. Jaap van Zwenden conducting; Jean-Yves Thibaudet on piano. The next Friday, the 25th, was a Nicola Benedetti recital at Emory where she played one of my favorite pieces: Prokofiev's Violin Sonata #1. Beautiful! It was a very psychological recital. The Prokofiev was raw and angular; the Chausson lush and filled with pathos; the Richard Strauss (he wrote a violin sonata?!) equally expressive yet with a more formal outpouring. Neat.
Back in September we went to see the fourth Resdient Evil movie (Afterlife!). In 3D (!!). The same 3D technology used for Avatar (!!!). Needless to say, you need to like this sort of thing to like this sort of thing and even then you may not like *this* sort of thing. The 3D was very attractive and the monsters were garish enough. Major marks against it for characters less endearing than in previous entries, and plot holes--in a genre that refuses to acknowledge the existence of plot holes--that were inexplicable. Still, it was everything you need in a cinema/drafthouse/3D experience.
Also at the Buckhead Fork & Screen. The Met simulcasts their operas, and with the Ring Cycle being performed this season we decided to try it out. The cushy seats and wine and light food at F&S is perfect for a 3+ hour opera, but the close quarters make reading the subtitles nearly impossible. Get there early and choose a table at the front of a tier. The backstage preview they broadcast before the performance was a nice addition. Hearing the Rheinmaidens casually riff their parts as they get comfortable with an uncomfortable set was fantastic.
Walkuere is May, but before that is Nixon in China in the middle of February!