Scott D. Strader – An Echo That's Reversing

Buona Festa della Repubblica

This past Monday, 2 June, was the 79th anniversary of when Italy, post-World War II in 1946 after the Fascists were defeated, voted to become a republic instead of a monarchy. Similarly, 6 June was the 81st anniversary of the D-Day invasion of Normandy in 1944, when the Allied forces began the liberation of Western Europe from the fascists. Also on the 6th: I had an interview at the Italian consulate in Miami to apply for my Digital Nomad Visa (Visto per Nomadi Digitali). In the meantime, our government has accelerated it’s move towards fascism in an increasing number of ways.

By Federico Patellani, Public Domain, https://commons.wikimedia.org/w/index.php?curid=118602953

Although the adventure is not over for me (and really doesn’t have an “over”) this is a huge milestone. These last five-or-so months have been the longest two years of my life. A timeline:

Barbarella the Smuggler–Carving from a block of stone

I’ve used this approach–or I guess mental construct–for a while. Since the second string quartet probably, when I started adopting a compositional style from Finnissy’s music. I’ll write on paper lengthy, lucid polyphonic phrases that are intended to stretch for many measures (several minutes) with each note elongated. I’ll enter them into the Dorico app with only a suggestion of aligning note changes across staffs. Precision is not important.

Sitting in on an auction

[ed.: This was back in Oct, just now cleaning up and posting even though I never really finished my thoughts.]

A month or so back I found a painting of Barbarella that Jean-Claude Forest created at Cinecittà Studios during filming of the Jane Fonda movie. It is one of only two that he painted there and one of them was up for auction at Heritage Auctions. According to the site, the painting/s were missing for almost 60 years. I could only imagine what it will sell for. Well, I guess I don’t have to imagine because I’m sitting in on the auction right now (12 Oct) just to find out (and because art auctions are kinda fun). Let’s go…

2024 October 12 – 13 International Comic Art Signature® Auction #7381

Jean-Claude Forest Barbarella Painting Original Art (Cinecittà Studios, 1967) at Heritage Auctions

Spectacle

But a lie that can no longer be challenged becomes a form of madness.

Over the past six or so months I’ve on and off been reading Guy Debord’s The Society of Spectacle. I had encountered his ideas in an essay which used them to explain much of modern social media, key is applying his observation of how capitalism molds “people” into “consumers” in such a way as to make their primary identities not only what they purchase, but the act of purchasing. See: YouTube videos of product influencers and the post-apocalyptically odd phenomenon of pre-teens making thousands of dollars a week off of unboxing videos. “Apple is better than Windows” has supplanted the identity of ideas with the identity of product.

(as always: my understanding of him may be a bit naive)

Italian giallo and Gothic horror (3rd session)

I’ve finished the films I hadn’t already seen from the Arrow Giallo Essentials and have watched a few more from YouTube and kanopy (the streaming service from the public library system). The problem with those public sources, besides the risk of Extremely Low Quality, is they are rarely in the original Italian and so you have to suffer through the dubbed version. However, the new year brings with it an attempt to stay on budget so I won’t be buying any more Blu-rays if I can find it streaming.