Comic books – An Echo That's Reversing

The Barbarella Library

Back in October of last year I started collecting different editions of the Barbarella comics. As my collection grew and my personal documentation–by language, year, format–expanded, I decided to create a public website to share all of that information, along with details from items I don’t own, and so created The Barbarella Library. The website is a work-in-progress because, as I’ve found while chasing various and more rare editions, Barbarella has an unexpectedly rich bibliography.

The comics, written by Jean-Claude Forest, first appeared in eight chapters from 1962 to 1963 in the French magazine V and then collected and published in 1964 by Le Terrain Vague in oversized hardback. Eric Losfeld was the publisher of both the magazine and the book. The stories were first translated in English in 1965 and 1966 in the American literary magazine Evergreen Review–along with works by writers such as Jack Kerouac, Samuel Beckett, and Alain Robbe-Grillet–then compiled in an oversized hardback edition. Both magazine and book were published by Grove Press.

Three books followed the initial one. Les Coleres du Mange Minutes (The Rage of the Minute Eaters) in 1974, Le Semble-Lune (The False-Moon) in 1977, and Le Miroir aux Tempetes (The Storm Mirror) in 1982. Most of these four have been translated into English, German, Italian, Polish, and Czech. The presence of the last two languages surprised me, however I’ve been unable to find any other translations so far. “Barbarella hunting” has become a weird pastime for me so eventually they’ll show up somewhere.

I continue working on the site because, aside from missing editions and some missing photos, there are a lot of features I’d like to add and bugs that need addressing. I had first thought of using Drupal or WordPress or Mediawiki to create the site, but building from the ground up felt more fun. And it was… also pretty humbling at times.

It’s weird, but Barbarella has stopped really meaning anything to me except for a concept. She’s become kind of an abstract space-lady separate from the somewhat nonsensical stories (the first book feels like it was completely improvved, almost from page-to-page), and I guess that’s what she was to the French public at the time? The closer I got to the nonsense, the more she rose above it and became an archetype despite herself.

Or maybe she’s just silly, 60s sci-fi erotica.

Getting introduced to the Barbarella canon

A month or so ago a picture from one of the Barbarella comic books came across my feed and it was graphic design catnip. There was an unexpected clarity from something I would have expected to be garish at best. I’ve learned that there is a legacy that she has left that is more respectful and appreciative than I would have thought. I mean, how can I be blamed…

Yes, she is in a clear vinyl outfit while lying in a shag-carpeted aquarium.

The availability of a vintage pulp magazine

Updated 12 Mar 2024

On Mastodon (as I had done on Twitter), I follow various pulp accounts that post old books and magazines (and less frequently, albums) that have covers of some interest, often grouped together in a theme. Vintage computer ads, Harlequin romance, ridiculous robots from 50s sci-fi, pin-ups, magazine illustration from mid-century, etc. Site’s like Pulp Covers and Pulp Artists are also good sources for such wonderful nonsense and from those I found the cover artists for many of the pulp sci-fi books I’ve read. The Mastodon accounts are a good way to break up your feed with something visually interesting, kindof like a pop culture museum exhibit.

The Barb Wire canon

Updated the next day

Continuing my Great Literature series begun with Red Sonja and Conan, I’ve started reading the Barb Wire saga.

She’s a part of the Dark Horse Universe. We forget (or even don’t know) about it because of the supremacy of the DC and Marvel mythologies; like Greek and Roman, in no particular order, since so many of the super strength, super fast, invisible, other-dimension-origined, et al. are merely different manifestations of the same gods. Dark Horse fits into this framework but on a smaller scale and with some indie differences. For example: there is the odd character Concrete who is a man with his body replaced–for some reason–with a minimal-featured stone body, and who has to learn to live in his new circumstances. It’s more middle-aged Bildungsroman than superhero. Dark Horse’s polished indieness is appealing in a different manner than the experimentation of less established indie publishers. Solid yet daring.

Red Sonja comics, Volumes 1-3

Updated 27 May 2020 with Conan collections

I’m not sure where but I’d seen covers of old superhero comics recently and, though I read mostly sci-fi comics growing up, it made me nostalgic for some classic 60s/70s pulp art cheese. Enter, somewhat unrelated, Comixology. I had resisted them in the same but greater way that I resist ebooks: physicality is important and especially so with art. However, also as with ebooks, for much of what I purchase physicality is not needed because some of the books are more… ephemeral? In other words: some are worthy of taking up space on a shelf and others not so much.