Backrooms, empty

Updated 28 Jun 2026

I watched the movie Backrooms [ 2026 | IMDB | Wikipedia ]. The reason I was drawn to it from the first trailer may be shared by others, or may be individual and manifest through vague personal emotions, or may be a genuine generational gestalt. I’ve had dreams of being in empty-not-abandoned hotel conference rooms. Large, vacuumed, beige-paneled spaces. I’ve always tied it to loose memories of being in hotel spaces where my father was giving presentations. (The in-the-moment creepiness about that is that it’s been a memory for so long that I don’t know when or where it happened). He did sales on housing construction. So I’m certain that those moments existed?

Lisa told me that the movie director is 20. This movie couldn’t have been made without having grown up with creepypasta. That’s maybe a bit exaggerated but what was “Twilight Zone”-y mid 20th-century became “creepypasta” in the 20-teens. Characteristics are: a particular feeling of disassociation paired with the suspicion that there’s an arbitrary cause, environmental, existential.

One of the first aspects of the story is that of a failed company. Empty office buildings are the haunted cabins of our current economic existence but even a comparison to haunted houses doesn’t express the horror vacui of seeing a cube farm without walls, desks, chairs. Such empty spaces conjure the ghosts of those who had been there.

A bunch of drunk friends and I were leaving an event at a hotel in downtown Atlanta. While still in the hotel, we wandered some back paths and hallways hoping to find a shortcut to where we could exit to find public transportation. I was feeling particularly sassy and pushed open a random door that took us into a large, dark, scaffolded room. The path wasn’t clear but when you’ve had drink… whatever. We wandered a bit, there was a silence in a vast, empty room. The first door we opened to the outside was directly across the street from our train.

Continue reading Backrooms, empty

Italian giallo and Gothic horror (3rd session)

I’ve finished the films I hadn’t already seen from the Arrow Giallo Essentials and have watched a few more from YouTube and kanopy (the streaming service from the public library system). The problem with those public sources, besides the risk of Extremely Low Quality, is they are rarely in the original Italian and so you have to suffer through the dubbed version. However, the new year brings with it an attempt to stay on budget so I won’t be buying any more Blu-rays if I can find it streaming.

Continue reading Italian giallo and Gothic horror (3rd session)

Italian giallo and gothic horror (2nd session)

Since I’ve seen most of the streaming giallo films with Italian audio and English subtitles, I decided to see if I could find the Arrow Video giallo boxed sets, or at least some of them, for a decent price. Each has three films on Blu-ray but people try to sell them for wild prices like $100 and more. No. Luckily Arrow has most of them for $35 (well, all but one is sold out so I must’ve gotten really lucky). As a bonus, I picked up their Sergio Martino collection. One of the Martino films is also in the White collection (Morte sospetta di una minorenne) so that’s 17 films, 6 I’ve already seen. This will keep me busy.

Continue reading Italian giallo and gothic horror (2nd session)

Italian giallo and gothic horror

Back in July 2020 I burned through watching around ten or so giallo films over a couple of weeks, resurrecting my interest from years prior. A week ago I had a similar urge but this time to watch some 1950s/60s gothic horror–castles, curses, brooding women–and wanted to find movies in Italian with subtitles in order to get better listening and hopefully understanding. Some words and phrases will be less useful (i vizi morbosi, il mulino, lei รจ un strega) but there will otherwise be simpler dialog that uses probably 50% of my current vocabulary, and maybe repetition will help me pick up new words and provide examples of simple conversational phrases in context.

Continue reading Italian giallo and gothic horror

The loss of our prehistory

A few long time ago (a little over 12 years to be whatever) several geek websites posted a link to a site where photos of a sci-fi convention called Westercon from the 1980 event were posted. The people in the photos were so 80s and earnest and lo-fi that you couldn’t help but be jealous of them and the time they were living in. The geek sites posted additional links to other relevant parties who had valuable/interesting additions to the conversation or who had actually lived through those halcyon days, and each site had their own discussion threads where yet more links were posted and memories from those who had actually been at that convention were retold. It was one of those moments that, meta-wise, made you wish you were a sociologist 200 years from now because there was just so much those photos and discussions revealed about a certain group at a certain time in history along with how they themselves remembered that history.

Continue reading The loss of our prehistory