Art – An Echo That's Reversing

Le porte di Genova

Updated 26 Feb 2026

I arrived, the second of my three arrivals, and exiting the elevator at my front door I was serendipitously greeted by my elderly neighbor who was, beyond all pre-expectations for the genovese, more friendly than I’d expected in this or in any other city. I was disoriented by his kindness. The reason for my appreciation is obvious but it doesn’t take into consideration the rudderlessness you feel (I feel) in a foreign land etc. And, again, the unfair reputation the Genovese people get for being aggressively aloof with the non-Genovese is now something I will fight against.

The people I’ve met since have been just as piacievole.

There’s too much politics to think about

There’s too much politics to think about. And that’s kindof an avoidance because calling waves hands what has just happened and what bleak anniversary just occurred, and the scars almost lining up, politics is not politics. There’s just too much to think about.

Untitled, signed 57/150, from the Grifo Edition of Crepax prints of Valentina

Genova – il primo mese

Updated 24 Oct 2025

Of all the difficulties, the one that surprised me was an inability to understand the amount the cashier says when checking out at a store, restaurant, etc. Numbers are second nature to me when reading or speaking but, as with all of my listening skills, my comprehension is lacking. Hearing “dicianovequarantacinque” isn’t the same as reading €19,45 and intuitively speaking that glob of words in your head. It’s not that much a necessary skill: when was the last time someone mis-charged you at checkout? And at every place except at a caffè I use a credit card where: the cashier says something, I hover my card over the ))) little radar symbol, and finally they shove a long piece of paper at me. Voila, my four bottles of wine are on their way home (I am of course kidding, I don’t have to pay that much for four bottles of wine).

Well it may have taken me a month to get here but I can finally understand. (Me: “I can COUNT!”. Everyone, patting me on the head: “…”).

Sitting in on an auction

[ed.: This was back in Oct, just now cleaning up and posting even though I never really finished my thoughts.]

A month or so back I found a painting of Barbarella that Jean-Claude Forest created at Cinecittà Studios during filming of the Jane Fonda movie. It is one of only two that he painted there and one of them was up for auction at Heritage Auctions. According to the site, the painting/s were missing for almost 60 years. I could only imagine what it will sell for. Well, I guess I don’t have to imagine because I’m sitting in on the auction right now (12 Oct) just to find out (and because art auctions are kinda fun). Let’s go…

2024 October 12 – 13 International Comic Art Signature® Auction #7381

Jean-Claude Forest Barbarella Painting Original Art (Cinecittà Studios, 1967) at Heritage Auctions

Atlanta art scene

Last week I got an email from an artist I’d purchased work from a couple of years back. She’d remembered I lived in Atlanta and her gallery was going to have a booth at the first annual Atlanta Art Fair this weekend at Pullman Yards. We’ll ignore the fact that a huge art event was happening in my relative hood and it took someone from LA to inform me. Thursday night was opening night so a perfect end of the week let’s go see some art and maybe purchase something! (Spoiler: None was purchased but bookmarks were place for some works at a future date.)