I am not interested in Carmen Consoli’s new, fantastic, album Amuri Luci.
Carmen Consoli and the authentic in art
Category: Music
Genova – il primo mese
Of all the difficulties, the one that surprised me was an inability to understand the amount the cashier says when checking out at a store, restaurant, etc. Numbers are second nature to me when reading or speaking but, as with all of my listening skills, my comprehension is lacking. Hearing “dicianovequarantacinque” isn’t the same as reading €19,45 and intuitively speaking that glob of words in your head. It’s not that much a necessary skill: when was the last time someone mis-charged you at checkout? And at every place except at a caffè I use a credit card where: the cashier says something, I hover my card over the ))) little radar symbol, and finally they shove a long piece of paper at me. Voila, my four bottles of wine are on their way home (I am of course kidding, I don’t have to pay that much for four bottles of wine).
Well it may have taken me a month to get here but I can finally understand. (Me: “I can COUNT!”. Everyone, patting me on the head: “…”).
Barbarella the Smuggler–Carving from a block of stone
I’ve used this approach–or I guess mental construct–for a while. Since the second string quartet probably, when I started adopting a compositional style from Finnissy’s music. I’ll write on paper lengthy, lucid polyphonic phrases that are intended to stretch for many measures (several minutes) with each note elongated. I’ll enter them into the Dorico app with only a suggestion of aligning note changes across staffs. Precision is not important.
Barbarella the Smuggler–That tonality thing
Work on the piece has been slow but satisfying. Well, unsatisfyingly slow but what little has been produced lets me see a way forward. I’ve become much more tonal but am using the structural and procedural techniques that I used in Figures to organize that tonality. And I have better headphones good god the sound was awful for several years.
The Ballad of Barbarella the Smuggler
While hunting for different editions of the Barbarella comic, I came across a rarity from Virgin Record Stores in the UK from 1981. Around that time, the second collection of Barbarella comics, Le Coleres du Manges-Minutes, was released in various editions internationally and Virgin Records printed a four-issue series in English under the title The New Adventures of Barbarella (this title was also used in the German Heyne editions a decade earlier with Die Neuen Abenteuer der Barbarella). Those Virgin Records publications had become my white whale in both their rarity and cost. Rarity being the biggest barrier because for a while I could only find visual records of their existence and none for sale. Eventually, I pieced together numbers 2, 3, and 4 for a decent and not embarrassing price. The cost of my collection as a whole is embarrassing, but only for a few editions am I actually uncomfortable confessing how much I paid.
But still the Virgin Records issue number 1 was elusive.
