Back again

Over the past few weeks I’ve started playing piano again.

A few years back I started getting weird deficiencies in my right hand. Descending arpeggios started becoming odd then difficult when my 3rd finger would cross over. Degeneration increased over several months, carpal tunnel surgery was performed and completely ineffective, physical therapy was attempted, but here we are. My PT therapist did fascinating research and came up with focal hand dystonia:

in focal hand dystonia, the fingers either curl into the palm or extend outward without control

That about sums it up.

It’s depressing if I think about it so I usually don’t. I’m pretty much unable to play any of the songs I’ve written except for the more basic ones, and I never got my last rock opera in my hands at all. That’s probably the most regretful.

I got itchy recently and so picked up Shostakovich’s Prelude #5 from opus 87. It’s a nice little piece in D major-ish and distributes the themes across both hands. I’m at speed now with not too many stumbles with my 3rd and 4th fingers. Working on memory. I just started Bach’s 7th fugue in E-flat from The Well-Tempered Clavier edition that I received after donating to the Musescore Kickstarter project. Difficult (for me) four note descending arpeggios that kind of tax a very weak fourth finger. Getting stronger though. I’m still surprised with the difference in competence between the two hands.

It feels very good to get back. I hate that I’m not composing and playing my own stuff but am still enjoying and hopeful.

More on the Karnstein myth, Jess Franco, horror, and softcore porn

A month or so ago I got a subscription to the horror movie channel Shudder. We saved money by Cutting the Cable Cord, but now are approaching the same budget by a-la-carting so many other streaming providers (“The tragedy of your times my young friends is that you may get exactly what you want.”). I subscribed to Shudder out of genuine interest in horror and indie horror, and the fact that it was only $5/month made me more pliable. Streaming services take note: $10/month seems to be the standard price so $5/month is an irresistible target. Go for the long tail.

So far on Shudder I’ve watched Frontier(s) (2007), It Stains the Sands Red (2017), and Daughter of Dracula (1972) (not Dracula’s Daughter from 1936, fwiw).

From Female Vampire: Lina Romay as Countess Irina Karlstein

I dove into a few Jess Franco films back in November 2015 and I still value them for their inventive variety (he’s done ~160 films!): the three films I watched were of such wildly different styles that they were effectively from different directors. His film Female Vampire introduced me to the pre-Bram Stoker vampire story Carmilla (1871) and all of it’s variations since then. Daughter of Dracula is connected to that literary lineage, also known as the Karnstein/Karlstein vampire myth, and includes the Franco films along with Hammer films and an LGBT web series (see also this wonderful THE KARNSTEIN TIMELINE collection of all media Karnstein-related). They are all part of a larger style of lesbian vampire stories.

Although Daughter of Dracula was filmed in Lisbon (cf. Female Vampire filmed in moody and beautiful Madeira), I did not recognize the city that we had visited. Living in Midtown Atlanta I should know the radical differences that 40 years can impose on a city.

From Daughter of Dracula: Franco, Anne Libert, and Carmen Yazalde as Luisa Karlstein

Daughter of Dracula has the softcore porn aspect of many of Franco’s films. The opening scene includes a woman, full frontal preparing for a bath, and the camera more than lingers. Other scenes I-kid-you-not dramatically zoom in to 1970s-era unshaven et ceteras. Whether this was titillating back then I’m not sure but it is incredibly non-sexual today. During one “lesbian” scene there was such an invasive soundtrack referencing show tunes, comedic, and dance styles, that the extended breast licking was completely unbelievable. And, yes, I typed “extended.”

Daughter of Dracula differed from the previous vampire film of his that I watched, Female Vampire. That one was more static and moody, expressing the lead’s curse more with lingering camera shots and frequent foggy, daytime scenes. Daughter of Dracula felt more conventional. Said daughter learns about her heritage as the local police attempt to solve a series of recent murders. Both films are worth a watch and would be good as a double-feature. Are you listening, Plaza Theatre?

Three pulp sci-fi novels (set #1)

Updated 2 Aug 2018 (art)

Updated 14 Sep 2018 (notes on all three)

Updated 21 Feb 2021 (Night Slaves movie)

I’ve been purging all of my CDs by sending them to a ripping service (I used MusicShifter) and then selling what I can and donating the rest. I sold a hundred or so to Book Nook and with a small portion of that fine fine cash got my book on. There were some classics, and then there were these:

Continue reading Three pulp sci-fi novels (set #1)