Different from when I finished the symphony, near the end of finishing the string quartet I immediately had an idea for this next work. The in-between-time in this instance is not downtime, but rather a period spent on research.
For (manymany) years I’d had the idea but never had the resources–or perhaps commitment–to approach it. The concept was a natural result of a classical/modernist listener who early on listened to Qbert, Invisibl Skratch Piklz, Shadow, et al. Choosing a sonata-like approach was an equally natural result for something that lends itself best as a solo instrument.
Continue reading Suite for Turntables and Piano — Notation