Images taken from the Shudder stream. Runtime: 1:32:43.

So far writing for turntables feels most similar to writing for tuned percussion. There’s also a sense that it’s somewhere between an acoustic and an electronic instrument. Though what I’m working with (samples) are more on the electronic side, I’m writing for an instrument that produces sound via physical movement and instrument vibration as opposed to spliced tapes or synthesized sounds initiated by, crudely stated but with no pejorative intent, a button push. There is a spectrum of physicality with electronic music, and there is a spectrum of electronic music as it moves further away from a human body initiating the sound. Although this is the first electronic-adjacent music I’ve worked with, it’s been an experience more familiar than expected because of the turntable’s percussive provenance.
Composing this work has been no single process but rather an organic transition moving from process-to-process as I experiment to work out the challenges. I’ve had mixed success and the score has been more a battlefield than normal: I’ll need a new eraser for the next project. The only consistency in the compositional approaches is that I start with a general sketch of the turntables’ “phrasal intent” within a section and within the movement’s structure then, somewhat as a crutch, write the piano part with the vertical alignment of turntables and piano happening naturally.
Continue reading Suite for Turntables and Piano — Timbre and finishing the first movementOnce I’d heard about it, I looked far and wide for Ferneyhough’s book of essays and composer interviews but could only find it for $1,300+ used on Amazon (ik,r?) and listed elsewhere as out of stock. Some sites had PDFs but they were generally pay-to-view (Scribd is the main culprit, per usual). Several pages in to the Google results I found a very sketchy-looking site that had it for download. Cool with me. Pages are scanned with greater-or-lesser quality, some clean, some absurdly skewed as they were pressed against the copy machine but still readable. Later, I found a scan a bit cleaner but from an equally sketchy site. Also cool with me.