Category: Music

There was a commercial that had music I immediately recognized as Vietnamese rock from the 60s (ish) and the music spoke to me–as is always the case when you encounter something familiar and know you can find that thing–so I was on a quest. I remembered it was a travel commercial. Possibly about luggage? After failing on YouTube, which is pretty surprising, I did a full-internet search and finally got to a site that sells commercial viewing metrics called iSpot.tv and it has videos of the commercials it tracks.

Behold: Away Luggage TV Spot, ‘Let Travel Happen: Motorcycle’ Song by Phuong Tam

The singer, Phương Tâm, has a few 45s listed on Discogs which I would love to have but none are available. Understandable considering the history:

After the fall of Saigon, this specific genre of music was removed and buried along with any American-influenced culture in the reunification of Vietnam on April 30, 1975. … Piles of vinyl, reel-tapes and cassettes were thrown out, burned or confiscated.

…

There are a small but passionate group of collectors dedicated to salvaging the recordings from this unique period of Vietnam’s musical history. Most of these original records have been caked with dirt and mud, requiring careful cleaning and repairing before the tracks are even playable.

liner notes by Tâm’s daughter Hannah Hà

The collection that I was able to purchase was released on the Sublime Frequencies label, which I’ve learned guarantees quality restoration and informative liner notes based on the previous albums of theirs I’ve acquired (of Cambodian and Vietnamese music of the same period, covering tragedies of different diasporas). This collection was no different:

Particularly notable, along with Mark Gergis’s liner notes, are the notes written by Tâm’s daughter Hannah Hà telling of how she discovered her mother was a Rock Star decades ago and what she (Hannah) had to do to rally a global community of collectors to gather the source recordings. It’s a beautiful story.

Sublime Frequencies no longer sells it on their web site, but it’s available (albeit a little pricey) on Discogs/eBay/etc.

To the left are his four solo albums released after leaving Roxy Music. They felt a logical progression of rock to cerebral to meditative to a fusion of them all. The right of that above are the two (early) collaborations with Robert Fripp. The music is equal parts each musician. Below that, his first four “ambient” albums. Process music (like much of the 20C modern music I listen to) but as wallpaper as opposed to foreground. The lower left, in the middle of his early ambient works, is the album with David Byrne. Also process; not wallpaper.

Twice recently I’ve ordered sheet music for scores that are in the public domain. One for Bach’s Musical Offering and one (well, two) for the Sibelius Symphony No. 5, the full orchestral score and the piano reduction.

The Bach work is one I often listen to, passively but with inevitable moments of actively, and it’s also a notable work of creative notation. I wanted to look at the structure of the Ricercar a 6 which is a six-voice fugue performed (most of the time?) on keyboard–ouch!–but each piece in the set has its own interesting characteristics. I listened to the Kuijken/Kohnen/Leonhardt recording from 1975 growing up and so is the “official” one to my ear.

I’ve wanted to study the Sibelius symphony–considered one of the greatest symphonies ever written, ymmv–ever since I started working with orchestral composition. Public domain rules are byzantine and generally I think a score needs to be around 70 years old before it becomes available. Older scores I’ve looked at are notoriously badly edited (with questionable phrase markings or capricious choices of accidentals or just misprints, though not seeing more curated versions I may be wrong), so to mitigate any weirdness in the orchestral score I also got the piano reduction.

Continue reading Printed public domain sheet music