New Complexity

(I’m not sure how I encountered this. Some sort of internet spelunking but who-knows-where.)

New Complexity is a composition style that originated in the 80s, consisting of inconceivably difficult music with beautifully difficult scores. Upon first listening, I felt that it was just a rehash of mid-century serial technique, at least in expressiveness. I fell into the “I’m smart enough to understand this immediately” trap of the moderately informed. It is instead yet something different and contains more performance/conceptual art aspects that put the responsibility of process on the performer as a way to manifest the ideas in the score. It may be a pendulum swing from what has been called the “downtown” style of minimalism that appeared in the late 60s/early 70s, which was itself a pendulum swing away from the atonality of decades prior. No style completely disappears, but I am happy to see a rhythmically- and harmonically-difficult style return.

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Orchestral Studies, updated audio

I’m working on updating the audio for my 12 Orchestral Studies from their original MIDI output, using Dorico notation software and its HALion instrument libraries. I will probably just work on a few of the 12 in order to learn the new software and to not re-hash the pieces that really don’t deserve re-hashing. First one is the first one.

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Mysteries of the Macabre

Updated 27 May 2020

Some random notes:

Gyorgy Ligeti’s satiric opera about the end of the world. The story follows the devil (Nekrotzar) after he rises from his tomb and menaces a decadent, foolish prince (Prince Go-Go). The opera ends with the apocalypse and a few, befuddled survivors, closing with the cast saying to the audience: “Fear not to die, good people all. No-one knows when his hour will fall. Farewell in cheerfulness, farewell!”

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